[et_pb_section fb_built=”1″ admin_label=”Section” _builder_version=”4.16″ background_color=”rgba(0,0,0,0)” width_tablet=”” width_phone=”90%” width_last_edited=”on|desktop” custom_margin=”2.5%||” module_alignment_tablet=”” module_alignment_phone=”center” module_alignment_last_edited=”on|desktop” global_colors_info=”{}”][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.20.0″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”95%” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/laguirlande.com\/wp-content\/uploads\/2022\/02\/Spanish-Traveling-Virtuosi_Front-page.jpg” title_text=”Spanish-Traveling-Virtuosi_Front-page” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” custom_margin=”||12px|||” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Lato||||||||” text_text_color=”#858585″ text_font_size=”15px” text_letter_spacing=”1px” text_line_height=”22px” custom_margin=”||22px|||” global_colors_info=”{}”]<\/p>\n
The Enlightenment had great influence in all aspects of daily life at the time, such as scientific, economical, political and social. Following its strong humanistic and cosmopolitan nature, groups of aristocrats, intellectuals and artists travelled freely throughout Europe.<\/p>\n
Although Spain is not considered one of the main European music centres in the 18th century, it is true that there was no lack of great musicians and important virtuosi. Many of them embraced the cosmopolitan ideas of the Enlightenment, and decided to travel abroad in search for both success and new, stimulating experiences.<\/p>\n
[\/et_pb_text][et_pb_button button_url=”\/documents\/Spanish%20Travelling%20Virtuosi_Dossier.zip” button_text=”DOWNLOAD PROGRAMME” _builder_version=”4.20.0″ custom_button=”on” button_text_size=”11px” button_text_color=”#707070″ button_border_width=”1px” button_border_color=”#afafaf” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”Raleway|600|||||||” custom_css_main_element=”padding-top: 12px;||padding-bottom: 12px;||padding-left: 30px;||padding-right: 30px;” custom_css_after=”visibility: hidden” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n
Type of programme<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Musicians<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Timing [\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n Organize concert [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”95%” custom_margin=”5%||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/laguirlande.com\/wp-content\/uploads\/2022\/02\/Cristal-Bello_Front-page.jpg” title_text=”Cristal-Bello_Front-page” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” custom_margin=”||12px|||” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Lato||||||||” text_text_color=”#858585″ text_font_size=”15px” text_letter_spacing=”1px” text_line_height=”22px” custom_margin=”||22px|||” global_colors_info=”{}”]<\/p>\n During the first half of the 18th Century saw a notorious change in musical taste throughout Europe. This taste, which musicology has defined as \u201cgalant\u201d, holds Italian opera seria as its main reference, with its lyrical and cantabile melodies and transparent textures. Being fashionable became a composer\u2019s main concern, causing a continual circulation of new music, especially that composed by Italians. In this sense, the Spanish monarchy was no exception.<\/p>\n This programme proposes a selection of sacred pieces performed in Spain and Mexico virreinal of the 18th century. The composers appearing in this programme belong to a generation born around 1700, a generation very much influenced by Neapolitan authors. It was precisely these composers the ones who began composing for flute more frequently in Spain. It was an instrument that was gradually introduced in the Spanish musical chapels from the decades of 1720-1730, its use being registered later in the musical chapels in Ibero-America.<\/p>\n [\/et_pb_text][et_pb_button button_url=”\/documents\/Cristal%20bello.%20Dossier.zip” button_text=”DOWNLOAD PROGRAMME” _builder_version=”4.20.0″ custom_button=”on” button_text_size=”11px” button_text_color=”#707070″ button_border_width=”1px” button_border_color=”#afafaf” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”Raleway|600|||||||” custom_css_main_element=”padding-top: 12px;||padding-bottom: 12px;||padding-left: 30px;||padding-right: 30px;” custom_css_after=”visibility: hidden” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Type of programme<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Musicians<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Timing [\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n Organize concert [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”95%” custom_margin=”5%||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/laguirlande.com\/wp-content\/uploads\/2022\/02\/Bach-Sons_Front-page.jpg” title_text=”Bach-&-Sons_Front-page” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ text_font=”||||||||” custom_margin=”||12px|||” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Lato||||||||” text_text_color=”#858585″ text_font_size=”15px” text_letter_spacing=”1px” text_line_height=”22px” custom_margin=”||22px|||” global_colors_info=”{}”]<\/p>\n Although it is true that nowadays Johann Sebastian is considered as the most important figure in the family, this was not always so. Quickly forgotten by most in the late 18th century, it was his children who actually exerted a big influence in the music of their time, each one of them with a distinct personal style, characteristic and differentiated from that of the other brothers.<\/p>\n [\/et_pb_text][et_pb_button button_url=”\/documents\/Bach%20&%20Sons_Dossier.zip” button_text=”DOWNLOAD PROGRAMME” _builder_version=”4.16″ custom_button=”on” button_text_size=”11px” button_text_color=”#707070″ button_border_width=”1px” button_border_color=”#afafaf” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”Raleway|600|||||||” custom_css_main_element=”padding-top: 12px;||padding-bottom: 12px;||padding-left: 30px;||padding-right: 30px;” custom_css_after=”visibility: hidden” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]Type of programme<\/strong> Musicians<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Timing [\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n Organize concert [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”95%” custom_margin=”5%||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/laguirlande.com\/wp-content\/uploads\/2022\/02\/Esterhaza_Front-page.jpg” title_text=”Esterhaza_Front-page” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” custom_margin=”||12px|||” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”Lato||||||||” text_text_color=”#858585″ text_font_size=”15px” text_letter_spacing=”1px” text_line_height=”22px” custom_margin=”||22px|||” global_colors_info=”{}”]<\/p>\n In 1761, the Viennese composer Joseph Haydn comes into service at the court of the Esterh\u00e1zy family, one of the richest and most influential of the Austria-Hungarian empire. Haydn worked for almost 30 years for the Prince Nikolaus I Esterh\u00e1zy, nicknamed \u201cThe Magnificent\u201d due to the huge amount of money and resources he put aside for organising different kinds of spectacles and entertainments.<\/p>\n During this period, Haydn wrote as many as 175 works for baryton, an instrument from the family of the viola da gamba which had gained a certain popularity in the second half of the 18th Century, and which Prince Nikolaus himself played in the daily chamber concerts. Due to the gradual fall of use of the baryton and probably to a commercial interest, Haydn arranged several of his 126 trios for baryton, viola and violoncello into works for flute, violin and violoncello. The arrangement of these works, both his own and by other composers, to different formations was a regular practice of the period.<\/p>\n [\/et_pb_text][et_pb_button button_url=”\/documents\/Esterhaza_Dossier.zip” button_text=”DOWNLOAD PROGRAMME ” _builder_version=”4.16″ custom_button=”on” button_text_size=”11px” button_text_color=”#707070″ button_border_width=”1px” button_border_color=”#afafaf” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”Raleway|600|||||||” custom_css_main_element=”padding-top: 12px;||padding-bottom: 12px;||padding-left: 30px;||padding-right: 30px;” custom_css_after=”visibility: hidden” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Type of programme<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Musicians<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Timing [\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n Organize concert [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”95%” custom_margin=”5%||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/laguirlande.com\/wp-content\/uploads\/2022\/02\/A-safe-harbour_Front-page.jpg” title_text=”A-safe-harbour_Front-page” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” custom_margin=”||12px|||” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Lato||||||||” text_text_color=”#858585″ text_font_size=”15px” text_letter_spacing=”1px” text_line_height=”22px” custom_margin=”||22px|||” global_colors_info=”{}”]<\/p>\n In oposition to the degrading duties and work conditions in German courts, or from the provincialism which prevailed in the rest of the country, Hamburg, the metropolis of the north, was one of the most important musical centres in Germany. The city was especially proud of their great harbour, \u201cGermany\u2019s gate to the world\u201d. Thanks to it, the inhabitants of Hamburg were soon able to enjoy some prosperity, and did not hesitate to allocate part of their large profits for cultural purposes.<\/p>\n And thus the city, bastion of Protestantism, opened the first opera theatre in Germany. And just as London attracted musicians from all over Europe, the rich and liberal Hamburg became a focus of attraction for a great number of their German colleagues, who travelled there in search of an escape route.<\/p>\n [\/et_pb_text][et_pb_button button_url=”\/documents\/A%20safe%20harbour_Dossier.zip” button_text=”DOWNLOAD PROGRAMME” _builder_version=”4.16″ custom_button=”on” button_text_size=”11px” button_text_color=”#707070″ button_border_width=”1px” button_border_color=”#afafaf” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”Raleway|600|||||||” custom_css_main_element=”padding-top: 12px;||padding-bottom: 12px;||padding-left: 30px;||padding-right: 30px;” custom_css_after=”visibility: hidden” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Type of programme<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Musicians<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Timing [\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n Organize concert [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”95%” custom_margin=”5%||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/laguirlande.com\/wp-content\/uploads\/2022\/02\/Le-Concert-Spirituel_Front-page.jpg” title_text=”Le-Concert-Spirituel_Front-page” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” custom_margin=”||12px|||” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”Lato||||||||” text_text_color=”#858585″ text_font_size=”15px” text_letter_spacing=”1px” text_line_height=”22px” custom_margin=”||22px|||” global_colors_info=”{}”]<\/p>\n Paris, the city bathed by the Seine, was one of the most important musical centres in Europe. During the course of the 18th Century, the city underwent a great period of growth due to a strong economic expansion and provincial immigration. Within this context, Paris became one of the most important intellectual centres of Europe, one of the principal bastions for the ideas of the Enlightenment.<\/p>\n Founded in 1725, Le Concert Spirituel<\/em> was an institution which organised concerts up until 1790, mainly for an audience of well-heeled bourgeois, low aristocracy and foreign visitors. It was created with the idea of providing entertainment during religious festivities when the grandest Parisian shows were closed. These concerts were held for many years in the Tuileries Palace, and the programmes often included a mixture of sacred works and instrumental virtuosic pieces for the musicians to showcase their skills and abilities. Many of them were composed and performed by musicians who worked in Le Concert Spirituel<\/em>.<\/p>\n [\/et_pb_text][et_pb_button button_url=”\/documents\/Le%20Concert%20Spirituel_Dossier.zip” button_text=”DOWNLOAD PROGRAMME” _builder_version=”4.16″ custom_button=”on” button_text_size=”11px” button_text_color=”#707070″ button_border_width=”1px” button_border_color=”#afafaf” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”Raleway|600|||||||” custom_css_main_element=”padding-top: 12px;||padding-bottom: 12px;||padding-left: 30px;||padding-right: 30px;” custom_css_after=”visibility: hidden” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Type of programme<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Musicians<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Timing [\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n Organize concert [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”95%” custom_margin=”5%||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/laguirlande.com\/wp-content\/uploads\/2022\/02\/Haydn-in-London_Front-page.jpg” title_text=”Haydn-in-London_Front-page” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” custom_margin=”||12px|||” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ text_font=”Lato||||||||” text_text_color=”#858585″ text_font_size=”15px” text_letter_spacing=”1px” text_line_height=”22px” custom_margin=”||22px|||” global_colors_info=”{}”]<\/p>\n London, with its majestic river Thames flowing through it, was one of the most important musical centres of Europe. Throughout the 18th Century, the city experienced a remarkable growth. The many people that had moved to London for commerce, work or business purposes was a factor which led to its rapid development as a bustling city.<\/p>\n It is in this context that London attracted many musicians from all over Europe whowere looking to make a place for themselves in the intense musical life of the capital city. Such intense musical life is reflected in the enormous quantity of music printed by editors who had set up their base in London. In November, 1789, John Bland travelled to Esterh\u00e1za, where he met Joseph Haydn. In this encounter, Haydn undertook to write for Bland the three works which we can hear in this programme.<\/p>\n [\/et_pb_text][et_pb_button button_url=”\/documents\/Haydn%20in%20London_Dossier.zip” button_text=”DOWNLOAD PROGRAMME” module_class=”botonhover” _builder_version=”4.16″ custom_button=”on” button_text_size=”11px” button_text_color=”#707070″ button_border_width=”1px” button_border_color=”#afafaf” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”Raleway|600|||||||” custom_css_main_element=”padding-top: 12px;||padding-bottom: 12px;||padding-left: 30px;||padding-right: 30px;” custom_css_after=”visibility: hidden” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Type of programme<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Musicians<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.27.4″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Timing [\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n Organize concert [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”95%” custom_margin=”5%||” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/laguirlande.com\/wp-content\/uploads\/2022\/02\/Appropriato-all-Organo_Front-page.jpg” title_text=”Appropriato-all-Organo_Front-page” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ text_font=”||||||||” custom_margin=”||12px|||” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.16″ text_font=”Lato||||||||” text_text_color=”#858585″ text_font_size=”15px” text_letter_spacing=”1px” text_line_height=”22px” custom_margin=”||22px|||” global_colors_info=”{}”]<\/p>\n Although in concerts nowadays it is not common to hear pieces that are arranged or adapted for instruments other than the original ones, this was a customary practice in the 18th century. During this period it was not as important to \u201cconstruct\u201d or \u201creconstruct\u201d an original version of a piece, as it was to present and defend the reasons for possible alternative versions. The double concept of \u201coriginal\u201d and \u201cadaptation\u201d or \u201carrangement\u201d appeared during the 19th century because of the way the musicians of the period related to music. Something that has continued until our days.<\/p>\n [\/et_pb_text][et_pb_button button_url=”\/documents\/Appropriato%20all\u00b4Organo_Dossier.zip” button_text=”DOWNLOAD PROGRAMME” _builder_version=”4.16″ custom_button=”on” button_text_size=”11px” button_text_color=”#707070″ button_border_width=”1px” button_border_color=”#afafaf” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”Raleway|600|||||||” custom_css_main_element=”padding-top: 12px;||padding-bottom: 12px;||padding-left: 30px;||padding-right: 30px;” custom_css_after=”visibility: hidden” global_colors_info=”{}”][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.27.4″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n Type of programme<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]Musicians<\/strong> Timing [\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n Organize concert [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" Spanish Travelling Virtuosi. Vol. 1The Enlightenment had great influence in all aspects of daily life at the time, such as scientific, economical, political and social. Following its strong humanistic and cosmopolitan nature, groups of aristocrats, intellectuals and artists travelled freely throughout Europe. Although Spain is not considered one of the main European music centres in […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" [vc_row row_type=\"row\" use_row_as_full_screen_section=\"no\" type=\"full_width\" text_align=\"left\" css_animation=\"\"][vc_column][vc_separator type=\"full_width\" color=\"#e8e8e8\" border_style=\"solid\" thickness=\"0,1\" up=\"130\" down=\"50\"][\/vc_column][\/vc_row][vc_row row_type=\"row\" use_row_as_full_screen_section=\"no\" type=\"full_width\" text_align=\"left\" css_animation=\"\" css=\".vc_custom_1511289028273{margin-right: 2% !important;margin-left: 2% !important;}\"][vc_column width=\"1\/3\"][vc_single_image image=\"1308\" img_size=\"full\" qode_css_animation=\"\"][\/vc_column][vc_column width=\"1\/3\" css=\".vc_custom_1501451575750{padding-right: 15% !important;padding-left: 4% !important;}\"][vc_column_text]<\/p> [\/vc_column_text][vc_column_text css=\".vc_custom_1501539142635{margin-top: 2% !important;margin-bottom: 4% !important;}\"]<\/p> \u00a0<\/p> [\/vc_column_text][qbutton size=\"medium\" target=\"_self\" font_weight=\"600\" text=\"DESCARGAR PROGRAMA\" link=\"\/documents\/En el nombre del padre_Dosier.zip\" color=\"#4f4f4f\" hover_color=\"#ffffff\" background_color=\"rgba(255,255,255,0.01)\" hover_background_color=\"rgba(132,132,132,0.46)\" border_color=\"#c9c9c9\" hover_border_color=\"rgba(0,0,0,0.01)\" border_radius=\"0,1\"][\/vc_column][vc_column width=\"1\/3\"][vc_column_text]Tipo de programa<\/strong> \u00a0<\/p> M\u00fasicos requeridos<\/strong> \u00a0<\/p> Duraci\u00f3n<\/strong> \u00a0<\/p> Organizar concierto<\/strong> [\/vc_column_text][vc_column_text css=\".vc_custom_1511286534893{margin-top: 2% !important;margin-bottom: 4% !important;}\"]<\/p> \u00a0<\/p> [\/vc_column_text][qbutton size=\"medium\" target=\"_self\" font_weight=\"600\" text=\"DESCARGAR PROGRAMA\" link=\"\/documents\/Haydn en Londres_Dosier.zip\" color=\"#4f4f4f\" hover_color=\"#ffffff\" background_color=\"rgba(255,255,255,0.01)\" hover_background_color=\"rgba(132,132,132,0.46)\" border_color=\"#c9c9c9\" hover_border_color=\"rgba(0,0,0,0.01)\" border_radius=\"0,1\"][\/vc_column][vc_column width=\"1\/3\"][vc_column_text]Tipo de programa<\/strong> \u00a0<\/p> M\u00fasicos requeridos<\/strong> \u00a0<\/p> Duraci\u00f3n<\/strong> \u00a0<\/p> Organizar concierto<\/strong> [\/vc_column_text][vc_column_text css=\".vc_custom_1501786747736{margin-top: 2% !important;margin-bottom: 4% !important;}\"]<\/p> \u00a0<\/p> [\/vc_column_text][qbutton size=\"medium\" target=\"_self\" font_weight=\"600\" text=\"DESCARGAR PROGRAMA\" link=\"\/documents\/Spanish Traveling Virtuosi_Dosier.zip\" color=\"#4f4f4f\" hover_color=\"#ffffff\" background_color=\"rgba(255,255,255,0.01)\" hover_background_color=\"rgba(132,132,132,0.46)\" border_color=\"#c9c9c9\" hover_border_color=\"rgba(0,0,0,0.01)\" border_radius=\"0,1\"][\/vc_column][vc_column width=\"1\/3\"][vc_column_text]Tipo de programa<\/strong> \u00a0<\/p> M\u00fasicos requeridos<\/strong> \u00a0<\/p> Duraci\u00f3n<\/strong> \u00a0<\/p> Organizar concierto<\/strong> [\/vc_column_text][vc_column_text css=\".vc_custom_1501539100228{margin-top: 2% !important;margin-bottom: 4% !important;}\"]<\/p> \u00a0<\/p> [\/vc_column_text][qbutton size=\"medium\" target=\"_self\" font_weight=\"600\" text=\"DESCARGAR PROGRAMA\" link=\"\/documents\/Al Gusto de su Graciosisima Majestad_Dosier.zip\" color=\"#4f4f4f\" hover_color=\"#ffffff\" background_color=\"rgba(255,255,255,0.01)\" hover_background_color=\"rgba(132,132,132,0.46)\" border_color=\"#c9c9c9\" hover_border_color=\"rgba(0,0,0,0.01)\" border_radius=\"0,1\"][\/vc_column][vc_column width=\"1\/3\"][vc_column_text]Tipo de programa<\/strong> \u00a0<\/p> M\u00fasicos requeridos<\/strong> \u00a0<\/p> Duraci\u00f3n<\/strong> \u00a0<\/p> Organizar concierto<\/strong> [\/vc_column_text][vc_column_text css=\".vc_custom_1501539258580{margin-top: 2% !important;margin-bottom: 4% !important;}\"]<\/p> [\/vc_column_text][qbutton size=\"medium\" target=\"_self\" font_weight=\"600\" text=\"DESCARGAR PROGRAMA\" link=\"\/documents\/Un puerto seguro_Dosier.zip\" color=\"#4f4f4f\" hover_color=\"#ffffff\" background_color=\"rgba(255,255,255,0.01)\" hover_background_color=\"rgba(132,132,132,0.46)\" border_color=\"#c9c9c9\" hover_border_color=\"rgba(0,0,0,0.01)\" border_radius=\"0,1\"][\/vc_column][vc_column width=\"1\/3\"][vc_column_text]Tipo de programa<\/strong> \u00a0<\/p> M\u00fasicos requeridos<\/strong> \u00a0<\/p> Duraci\u00f3n<\/strong> \u00a0<\/p> Organizar concierto<\/strong> [\/vc_column_text][vc_column_text css=\".vc_custom_1525215244231{margin-top: 2% !important;margin-bottom: 4% !important;}\"]<\/p> [\/vc_column_text][qbutton size=\"medium\" target=\"_self\" font_weight=\"600\" text=\"DESCARGAR PROGRAMA\" link=\"\/documents\/Appropriato all\u00b4Organo_Dosier.zip\" color=\"#4f4f4f\" hover_color=\"#ffffff\" background_color=\"rgba(255,255,255,0.01)\" hover_background_color=\"rgba(132,132,132,0.46)\" border_color=\"#c9c9c9\" hover_border_color=\"rgba(0,0,0,0.01)\" border_radius=\"0,1\"][\/vc_column][vc_column width=\"1\/3\"][vc_column_text]Tipo de programa<\/strong> \u00a0<\/p> M\u00fasicos requeridos<\/strong> \u00a0<\/p> Duraci\u00f3n<\/strong> \u00a0<\/p> Organizar concierto<\/strong> [\/vc_column_text][vc_column_text css=\".vc_custom_1501452503708{margin-top: 2% !important;margin-bottom: 4% !important;}\"]<\/p> [\/vc_column_text][qbutton size=\"medium\" target=\"_self\" font_weight=\"600\" text=\"DESCARGAR PROGRAMA\" link=\"\/documents\/Bach & Sons_Dosier.zip\" color=\"#4f4f4f\" hover_color=\"#ffffff\" background_color=\"rgba(255,255,255,0.01)\" hover_background_color=\"rgba(132,132,132,0.46)\" border_color=\"#c9c9c9\" hover_border_color=\"rgba(0,0,0,0.01)\" border_radius=\"0,1\"][\/vc_column][vc_column width=\"1\/3\"][vc_column_text]Tipo de programa<\/strong> \u00a0<\/p> M\u00fasicos requeridos<\/strong> \u00a0<\/p> Duraci\u00f3n<\/strong> \u00a0<\/p> Organizar concierto<\/strong>
Spanish travelling virtuosi in the European Age of Enlightenment
Pieces by J. B. Pla, J. N. Xim\u00e9nez, G. Facco, F. Lluch y J. Cabanilles<\/span><\/p>\n
1 traverso, 1 violin, 1 violoncello, 1 baroque guitar, 1 harpsichord<\/span><\/p>\n
<\/b>70 min<\/span><\/p>\n
<\/b>produccion@laguirlande.com
<\/span><\/p>\nCristal bello<\/h2>\n
Sacred music in Spain and Viceroyal Mexico from the 18th Century
Pieces by I. Jerusalem y Stella, J. Nebra, J. Casellas, F. H. y Llana, P. A. Locatelli and J. M. Ramoss<\/span><\/p>\n
1 soprano, 1 traverso, 2 violins, 1 violoncello, 1 archlute \/ baroque guitar, 1 double bass, 1 harpsichord<\/span><\/p>\n
<\/b>70 min<\/span><\/p>\n
<\/b>produccion@laguirlande.com
<\/span><\/p>\nBach & sons<\/h2>\n
\nSonatas for flute and obbligato harpsichord in the Bach family\u00b4s living room
\nPieces by J. S. Bach, W. F. Bach, C. P. E. Bach, J. Ch. F. Bach and J. Ch. Bach<\/span>[\/et_pb_text][et_pb_text _builder_version=”4.16″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n
1 traverso, 1 harpsichord<\/span><\/p>\n
<\/b>70 min<\/span><\/p>\n
<\/b>produccion@laguirlande.com
<\/span><\/p>\nEsterh\u00e1za <\/h2>\n
Trios for flute, violin and violoncello by J. Haydn in the court of Nikolaus Esterh\u00e1zy
Pieces by Joseph Haydn<\/span><\/p>\n
1 traverso, 1 violin, 1 violoncello<\/span><\/p>\n
<\/b>70 min<\/span><\/p>\n
<\/b>produccion@laguirlande.com
<\/span><\/p>\nA safe harbour<\/h2>\n
Music for flute in Hamburg at the time of Georg Philipp Telemann
Pieces by G. P. Telemann, C. P. E. Bach and J. S. Bach<\/span><\/p>\n
1 traverso, 1 violoncello, 1 harpsichord<\/span><\/p>\n
<\/b>70 min<\/span><\/p>\n
<\/b>produccion@laguirlande.com
<\/span><\/p>\nLe Concert Spirituel<\/h2>\n
French virtuosi in 18th Century Paris
Pieces by J. J. C. de Mondonville, J. B. Barri\u00e8re, M. Blavet, M. Corrette and J. M. Leclair
<\/span><\/p>\n
1 traverso, 1 violin, 1 violoncello, 1 harpsichord<\/span><\/p>\n
<\/b>70 min<\/span><\/p>\n
<\/b>produccion@laguirlande.com
<\/span><\/p>\nHaydn in London<\/h2>\n
Trios for flute, violoncello and fortepiano by J. Haydn
Pieces by Joseph Haydn<\/span><\/p>\n
1 traverso, 1 violoncello, 1 fortepiano<\/span><\/p>\n
<\/b>70 min<\/span><\/p>\n
<\/b>produccion@laguirlande.com
<\/span><\/p>\nAppropriato all\u00b4Organo<\/h2>\n
Concertante sonatas for flute and obbligato organ
Pieces by J. S. Bach, J. L. Krebs, J. W. Hertel, G. P. Telemann y G. F. H\u00e4ndel<\/span><\/p>\n
\n1 traverso, 1 organ<\/span>[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ custom_margin=”||34px|||” global_colors_info=”{}”]<\/p>\n
<\/b>70 min<\/span><\/p>\n
<\/b>produccion@laguirlande.com
<\/span><\/p>\nEn el Nombre del Padre<\/h2>
La familia de los Bach\u00a0aport\u00f3 a la historia un incalculable n\u00famero de m\u00fasicos de todo tipo entre los siglos XVI y XIX, si bien es cierto que en la actualidad se considera a Johann Sebastian (miembro de la cuarta generaci\u00f3n posterior al primer m\u00fasico Bach que se conoce, Johannes Bach) como la figura m\u00e1s importante de la familia.<\/h3>
Basada en su solidez conrapunt\u00edstica, el Maestro de Leipzig llev\u00f3 la m\u00fasica del Barroco a su m\u00e1xima expresi\u00f3n, carg\u00e1ndola ademas de un misticismo inigualable.<\/h3>
Misticismo, enigmas y espiritualidad en la m\u00fasica de J. S. Bach (1685 - 1750)
Obras de Johann Sebastian Bach<\/p>
1 traverso, 1 viol\u00edn, 1 violoncello, 1 clave<\/p>
80 min<\/p>
produccion@laguirlande.com
Miguel S\u00e1nchez - Dairea Conciertos
info@dairea.es[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\"row\" use_row_as_full_screen_section=\"no\" type=\"full_width\" text_align=\"left\" css_animation=\"\" css=\".vc_custom_1511289041302{margin-top: 5% !important;margin-right: 2% !important;margin-left: 2% !important;}\"][vc_column width=\"1\/3\"][vc_single_image image=\"1322\" img_size=\"full\" qode_css_animation=\"\"][\/vc_column][vc_column width=\"1\/3\" css=\".vc_custom_1501451575750{padding-right: 15% !important;padding-left: 4% !important;}\"][vc_column_text]<\/p>Haydn en Londres<\/h2>
Londres, la ciudad ba\u00f1ada por el T\u00e1mesis, fue uno de los centros musicales m\u00e1s importantes de Europa. A lo largo del siglo XVIII, la ciudad experiment\u00f3 un gran crecimiento. El hecho de que muchas personas se trasladaran a Londres para comerciar, trabajar, o\u00a0hacer negocios, hizo que la ciudad se volviera cada\u00a0vez m\u00e1s grande y adoptara un ritmo fren\u00e9tico.<\/h3>
En este contexto, Londres atrajo a muchos m\u00fasicos de toda Europa que buscaba hacerse un hueco \u00a0en la intensa vida musical de la capital. Dicha vida musical se ve bien reflejada en la gran cantidad de m\u00fasica impresa por editores con sede en Londres. En Noviembre de 1789, John Bland viaj\u00f3 a Esterhaza, en donde se encontr\u00f3 con Joseph Haydn. En ese encuentro, Haydn se comprometi\u00f3 a escribir las tres obras que componen este programa.<\/h3>
Trios para flauta,\u00a0violoncello y fortepiano de J. Haydn\u00a0(1732 - 1809)
Obras de Joseph Haydn<\/p>
1 traverso, 1 violoncello, 1 clave<\/p>
60 min<\/p>
produccion@laguirlande.com
Miguel S\u00e1nchez - Dairea Conciertos
info@dairea.es[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\"row\" use_row_as_full_screen_section=\"no\" type=\"full_width\" text_align=\"left\" css_animation=\"\" css=\".vc_custom_1501785521521{margin-top: 5% !important;margin-right: 2% !important;margin-left: 2% !important;}\"][vc_column width=\"1\/3\"][vc_single_image image=\"1352\" img_size=\"full\" qode_css_animation=\"\"][\/vc_column][vc_column width=\"1\/3\" css=\".vc_custom_1501451575750{padding-right: 15% !important;padding-left: 4% !important;}\"][vc_column_text]<\/p>Spanish travelling virtuosi<\/h2>
La Ilustraci\u00f3n tuvo una gran influencia en todos los aspectos de la vida del siglo XVIII, tanto cient\u00edficos, como econ\u00f3micos, pol\u00edticos y sociales. Su marcado car\u00e1cter humanista y cosmopolita hizo que arist\u00f3cratas, intelectuales y artistas viajaran libremente entre los diferentes pa\u00edses de Europa.<\/h3>
Si bien Espa\u00f1a no es considerada uno de los principales centros musicales europeos del siglo\u00a0XVIII, bien es cierto que tampoco est\u00e1 falta de grandes m\u00fasicos y de importantes virtuosos de\u00a0la \u00e9poca, muchos de los cuales se empaparon del car\u00e1cter cosmopolita antes mencionado de la\u00a0Ilustraci\u00f3n, decidiendo viajar m\u00e1s all\u00e1 de las fronteras patrias en\u00a0busca de \u00e9xito y de nuevas y estimulantes experiencias.<\/h3><\/div>
Virtuosos viajeros espa\u00f1oles en la Europa de la Ilustraci\u00f3n
Obras de J. B. Pla, J. N. Xim\u00e9nez, D. Porretti, F. Lluch y J. Cabanilles<\/p>
1 traverso, 1 viol\u00edn, 1 cello, 1 guitarra barroca, 1 clave<\/p>
70 min<\/p>
produccion@laguirlande.com
Miguel S\u00e1nchez - Dairea Conciertos
info@dairea.es[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\"row\" use_row_as_full_screen_section=\"no\" type=\"full_width\" text_align=\"left\" css_animation=\"\" css=\".vc_custom_1501785608330{margin-top: 5% !important;margin-right: 2% !important;margin-left: 2% !important;}\"][vc_column width=\"1\/3\"][vc_single_image image=\"1297\" img_size=\"full\" qode_css_animation=\"\"][\/vc_column][vc_column width=\"1\/3\" css=\".vc_custom_1501451575750{padding-right: 15% !important;padding-left: 4% !important;}\"][vc_column_text]<\/p>Al Gusto de Su Gracios\u00edsima Majestad<\/em><\/h2>
Federico el Grande no s\u00f3lo fue un belicoso soberano\u00a0de ambiciones expansionistas, sino tambi\u00e9n un fino int\u00e9rprete de flauta que buscar\u00eda rodearse en su corte\u00a0berlinesa de los mejores compositores de su tiempo.<\/h3>
En tal contexto servir\u00edan Carl Philipp Emanuel y Johann\u00a0Joachim Quantz, cuyas est\u00e9ticas contrapuestas se ven reflejadas en el conjunto de sus respectivas obras.<\/h3>
Sonatas para flauta y clave obligado de
C. P. E. Bach y J. J. Quantz<\/p>
1 traverso, 1 clave<\/p>
60 min<\/p>
produccion@laguirlande.com
Miguel S\u00e1nchez - Dairea Conciertos
info@dairea.es[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\"row\" use_row_as_full_screen_section=\"no\" type=\"full_width\" text_align=\"left\" css_animation=\"\" css=\".vc_custom_1501452587235{margin-top: 5% !important;margin-right: 2% !important;margin-left: 2% !important;}\"][vc_column width=\"1\/3\"][vc_single_image image=\"1306\" img_size=\"full\" qode_css_animation=\"\"][\/vc_column][vc_column width=\"1\/3\" css=\".vc_custom_1501451575750{padding-right: 15% !important;padding-left: 4% !important;}\"][vc_column_text]<\/p>Un puerto seguro<\/h2>
En oposici\u00f3n a los degradantes deberes y condiciones laborales en las cortes germanas o al provincianismo imperante en el resto del pa\u00eds, Hamburgo, la metr\u00f3poli del norte, fue uno de los centros musicales m\u00e1s importantes de Alemania. La ciudad estaba orgullosa ante todo de su gran puerto, \u00abpuerta de Alemania al mundo\u00bb. Gracias a \u00e9l, muy pronto sus habitantes gozaron de cierta prosperidad, no dudando en destinar parte de sus ping\u00fces ganancias a fines culturales.<\/h3>
\u00a0<\/h3>
As\u00ed fue como en esta ciudad, baluarte del protestantismo, abri\u00f3 sus puertas el primer teatro de \u00f3pera de Alemania. Y al igual que Londres atra\u00eda m\u00fasicos de toda Europa, la rica y liberal Hamburgo se convirti\u00f3 en polo de atracci\u00f3n para muchos de sus colegas alemanes, que buscaban en ella una v\u00eda de escape.<\/h3>
M\u00fasica para flauta en el Hamburgo de Georg Philipp Telemann
Obras de G. P. Telemann, G. F. Handel, J. S. Bach y C. P. E. Bach<\/p>
1 traverso, 1 cello, 1 clave<\/p>
63 min<\/p>
produccion@laguirlande.com
Miguel S\u00e1nchez - Dairea Conciertos
info@dairea.es[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\"row\" use_row_as_full_screen_section=\"no\" type=\"full_width\" text_align=\"left\" css_animation=\"\" css=\".vc_custom_1501785548478{margin-top: 5% !important;margin-right: 2% !important;margin-bottom: 5% !important;margin-left: 2% !important;}\"][vc_column width=\"1\/3\"][vc_single_image image=\"1373\" img_size=\"full\" qode_css_animation=\"\"][\/vc_column][vc_column width=\"1\/3\" css=\".vc_custom_1501451575750{padding-right: 15% !important;padding-left: 4% !important;}\"][vc_column_text]<\/p>Appropriato all\u00b4Organo<\/h2>
Si bien es cierto que hoy en d\u00eda no se suelen escuchar en los conciertos piezas arregladas o adaptadas para instrumentaciones diferentes para las cuales fueron originalmente concebidas, hay que decir que esta era una pr\u00e1ctica completamente habitual en el siglo XVIII. Durante este periodo no era tan importante el hecho de \u201cconstruir\u201d o \u201creconstruir\u201d una versi\u00f3n original de una obra, sino m\u00e1s bien el presentar y defender las razones de posibles versiones alternativas. El doble concepto de \u201cOriginal\u201d y \u201cAdaptaci\u00f3n\u201d o \u201cArreglo\u201d surgi\u00f3 durante el siglo XIX, siendo la manera que los m\u00fasicos de entonces ten\u00edan de acercarse a la m\u00fasica. Algo que ha perdurado hasta nuestros d\u00edas.<\/h3>
Sonatas concertantes para flauta y \u00f3rgano obbligato
Obras de J. S. Bach, J. L. Krebs , J. W. Hertel, G. P. Telemann y G. F. H\u00e4ndel<\/p>
1 traverso, 1 \u00f3rgano<\/p>
60 min<\/p>
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Miguel S\u00e1nchez - Dairea Conciertos
info@dairea.es[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=\"row\" use_row_as_full_screen_section=\"no\" type=\"full_width\" text_align=\"left\" css_animation=\"\" css=\".vc_custom_1501785548478{margin-top: 5% !important;margin-right: 2% !important;margin-bottom: 5% !important;margin-left: 2% !important;}\"][vc_column width=\"1\/3\"][vc_single_image image=\"1300\" img_size=\"full\" qode_css_animation=\"\"][\/vc_column][vc_column width=\"1\/3\" css=\".vc_custom_1501451575750{padding-right: 15% !important;padding-left: 4% !important;}\"][vc_column_text]<\/p>Bach & Sons<\/h2>
Aunque en la actualidad se considera a Johann Sebastian\u00a0como la figura m\u00e1s importante de la familia, esto no fue siempre as\u00ed. Olvidado r\u00e1pidamente en la segunda mitad del siglo XVIII por la mayor\u00eda, fueron sus hijos los que realmente ejercieron una influencia decisiva en la m\u00fasica de su tiempo, cada uno de ellos con un estilo musical muy personal, caracter\u00edstico y diferenciado del de los dem\u00e1s hermanos.<\/h3>
Sonatas para flauta y clave obbligato en el sal\u00f3n de los Bach
Obras de J. S. Bach, W. F. Bach, C. P. E. Bach, J. Ch. F. Bach y J. Ch. Bach<\/p>
1 traverso, 1 clave<\/p>
70 min<\/p>
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Miguel S\u00e1nchez - Dairea Conciertos
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