[et_pb_section fb_built=\u00a0\u00bb1″ _builder_version=\u00a0\u00bb4.16″ background_color=\u00a0\u00bbrgba(0,0,0,0)\u00a0\u00bb width_tablet=\u00a0\u00bb\u00a0\u00bb width_phone=\u00a0\u00bb90%\u00a0\u00bb width_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_margin=\u00a0\u00bb||8%\u00a0\u00bb module_alignment_tablet=\u00a0\u00bb\u00a0\u00bb module_alignment_phone=\u00a0\u00bbcenter\u00a0\u00bb module_alignment_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb5%||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#232323″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb2px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_margin_tablet=\u00a0\u00bb\u00a0\u00bb custom_margin_phone=\u00a0\u00bb||0px\u00a0\u00bb custom_margin_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb||0px|\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
CRITIQUES<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\u00a0\u00bb4.16″ background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb custom_padding=\u00a0\u00bb0%|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_divider color=\u00a0\u00bbrgba(33,33,33,0.09)\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb||43px|||\u00a0\u00bb custom_padding_tablet=\u00a0\u00bb\u00a0\u00bb custom_padding_phone=\u00a0\u00bb||0px\u00a0\u00bb custom_padding_last_edited=\u00a0\u00bbon|desktop\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
\u00abLa Guirlande, […] a offert un r\u00e9cital alliant\u00a0grande pr\u00e9cision et grande beaut\u00e9, qui \u00e9tait bien plus qu’un simple voyage \u00e0 travers le baroque.<\/p>\n
La ‘Sonate pour fl\u00fbte et clavecin oblig\u00e9 en si mineur BWV 1030’ a \u00e9t\u00e9 abord\u00e9e par Mart\u00ednez et Sebasti\u00e1n avec une grande pr\u00e9cision et un lyrisme retenu.<\/p>\n
Ce qui est r\u00e9sult\u00e9 de ce concert \u00e0 Hecho est la sensation d’avoir assist\u00e9 \u00e0 une soir\u00e9e sp\u00e9ciale et unique de musique, au sens le plus noble du terme et de la discipline : intime, exigeante, interpr\u00e9t\u00e9e pour \u00eatre \u00e9cout\u00e9e avec tous les sens, o\u00f9 le traverso et le clavecin se sont tenus par la main pour tracer un pont sonore entre la famille et ses g\u00e9n\u00e9rations.\u00bb<\/p>\n<\/div>\n
[\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n
El Diario de Huesca<\/em><\/a>. 13 Ao\u00fbt 2025<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb8837″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.0″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLuis Mart\u00ednez, traverso, Sergio Su\u00e1rez, violon, et Guillermo Turina, violoncelle, entam\u00e8rent la session [\u2026], affichant d\u00e8s le d\u00e9but une stricte coordination et une sonorit\u00e9 splendide.<\/p>\n [\u2026] la sonorit\u00e9 du trio s\u2019est maintenue au m\u00eame niveau d\u2019excellence [\u2026]<\/p>\n Il convient de souligner la pr\u00e9cision des tr\u00e9molos de Luis Mart\u00ednez [\u2026].\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Francisco Javier Aguirre, Heraldo de Arag\u00f3n<\/em><\/a>. 6 Juin 2024<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abNous avons pu appr\u00e9cier pleinement toutes ces qualit\u00e9s durant le concert, gr\u00e2ce \u00e0 une interpr\u00e9tation exceptionnelle. La prestation vocale a \u00e9t\u00e9 assur\u00e9e par la soprano majorquine Irene Mas Salom et la mezzo fran\u00e7aise Marine Fribourg. Toutes deux ont affich\u00e9 une aisance d\u00e9bordante, qui s\u2019est traduite par une justesse irr\u00e9prochable et une technique remarquable, mais surtout dans un \u00e9quilibre parfait entre expressivit\u00e9 et retenue qu\u2019exige le caract\u00e8re de cette musique. Les suspensions, les rythmes bris\u00e9s et les inflexions ont toujours trouv\u00e9 leur juste mesure, avec un vibrato parfaitement ma\u00eetris\u00e9 et une \u00e9mission claire et limpide. Mas Salom est une soprano \u00e9l\u00e9gante, avec une voix au beau timbre et elle fait preuve d’une bonne ma\u00eetrise des agilit\u00e9s dans les passages les plus m\u00e9lismatiques. Marine Fribourg, quant \u00e0 elle, est une musicienne tr\u00e8s versatile [\u2026], dot\u00e9e d\u2019un timbre s\u00e9duisant, charnu, d\u2019un registre homog\u00e8ne et de graves bien projet\u00e9s. Lorsqu’elles chantaient ensemble, [\u2026] elles s’entendaient \u00e0 merveille et nous avons pu savourer la prestation de deux chanteuses \u00e0 la personnalit\u00e9 marqu\u00e9e.<\/p>\n Le soutien instrumental \u00e9tait \u00e9galement d\u2019un excellent niveau. Les violons complices de Jes\u00fas Merino et d’Andr\u00e9s Murillo \u00e9taient merveilleux, portant une grande partie du poids des \u0153uvres ; Comme toujours, Fumiko Morie \u00e0 l’alto et Joan Boronat au clavecin sont fabuleux, deux musiciens formidables, dont l’enthousiasme est contagieux et qui nous convainquent, par la force de leur interpr\u00e9tation, que nous sommes en pr\u00e9sence de la meilleure musique jamais compos\u00e9e. Dans l\u2019ensemble, La Guirlande et son directeur Luis Mart\u00ednez Pueyo ont accompli un travail remarquable, en \u00e9tudiant minutieusement et en r\u00e9ussissant \u00e0 faire ressortir toute la beaut\u00e9 de cette musique, avec une sonorit\u00e9 \u00e9quilibr\u00e9e, homog\u00e8ne, et en parfaite harmonie avec les voix.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Imanol Temprano Lecuona, Scherzo<\/em><\/a>. 9 Avril 2024<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||5%|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abEn collaboration avec Ars Hispana, le groupe aragonais a une fois de plus montr\u00e9 son engagement en faveur du patrimoine musical espagnol, dans un programme avec la mezzo-soprano Luc\u00eda Caihuela qui a s\u00e9duit \u00e0 la fois gr\u00e2ce \u00e0 la qualit\u00e9 du r\u00e9pertoire choisi et aux interpr\u00e9tations \u00e9nergiques et vigoureuses de ses interpr\u00e8tes.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#878787″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00ab[\u2026] Luc\u00eda Caihuela [\u2026] semble \u00e9voluer dans un \u00e9tat de gr\u00e2ce vocale permanent, avec un timbre d\u2019une \u00e9norme beaut\u00e9, qui a acquis une merveilleuse personnalit\u00e9, dot\u00e9e d\u2019une grande amplitude dans le registre aigu, au son couvert et chaleureux et un m\u00e9dium-grave aux sonorit\u00e9s riches et cuivr\u00e9es, soutenus par une ligne de chant \u00e9l\u00e9gante et une diction soign\u00e9e [\u2026]. Dans l\u2019air aux traits amoureux \u00abVen, alma m\u00eda\u00bb, un magnifique duo avec le traverso de Luis Mart\u00ednez Pueyo \u2013 l\u2019autre grand protagoniste de la soir\u00e9e et chef de l\u2019ensemble \u2013, au phras\u00e9 et \u00e0 la sonorit\u00e9 \u00e9pur\u00e9s et naturels, s\u2019entrela\u00e7ant \u00e0 merveille avec une voix pleine de caract\u00e8re dans les mediums et un aig\u00fce rayonnant et bien soutenu. Les interventions des violons ont \u00e9t\u00e9 joliment dessin\u00e9es par l\u2019extraordinaire violoniste australienne Lathika Vithanage \u2013 qui poss\u00e8de un son exquis et une \u00e9nergie d\u00e9bordante \u2013, accompagn\u00e9e de l\u2019espagnol Sergio Su\u00e1rez. Le continuo a de son c\u00f4t\u00e9 fait part d\u2019une habilet\u00e9 remarquable, gr\u00e2ce \u00e0 quatre musiciens experts en la mati\u00e8re: Ester Domingo au violoncelle baroque, Pablo Zapico alternant l’archiluth et la guitare baroque, Silvia Jim\u00e9nez \u00e0 la contrebasse baroque et Andr\u00e9s Alberto G\u00f3mez au clavecin. La finesse de Domingo et l\u2019inventivit\u00e9 dans l\u2019ornementation de l\u2019archiluth sont remarquables. La section B de l’air a \u00e9t\u00e9 interpr\u00e9t\u00e9e avec une grande expressivit\u00e9, avant de c\u00e9der la place \u00e0 un da capo dans lequel la voix s\u2019est d\u00e9velopp\u00e9e dans un aigu solide et limpide, en parfaite harmonie avec le traverso, faisant aussi preuve d\u2019une grande aisance dans les agilit\u00e9s.<\/p>\n La Sonate en Trio I en ut majeur [\u2026] s’ouvre sur un Moderato \u00e0 l\u2019approche dynamique et particuli\u00e8rement \u00e9vocatrice, d\u00e9veloppant de mani\u00e8re exquise l\u2019\u00e9criture en gammes et unissant le duo traverso\/violon dans une musicalit\u00e9 intense, marqu\u00e9e par une parfaite entente entre les deux et une justesse sans faille. \u2013 La pr\u00e9sence de ces deux interpr\u00e8tes dans l’ensemble renforce significativement l’apport artistique de La Guirlande. \u2013 La participation d\u2019un continuo riche et brillant gr\u00e2ce au son et \u00e0 l\u2019expression transmise par le violoncelle de Domingo. L’Adagio central s’est construit autour de la recherche des nuances, en accordant une attention particuli\u00e8re \u00e0 souligner chaque motif de mani\u00e8re subtile, et plus particuli\u00e8rement celui du traverso. Un mouvement sublim\u00e9 par les interventions d’une rare pertinence des membres du continuo \u2013 articulation, ornementation et richesse des timbres. La Sonate en trio se conclut par un Tempo di Minuetto, o\u00f9 le motif principal est trait\u00e9 avec une grande finesse, et o\u00f9 les passages homophoniques sont magnifi\u00e9s par le registre aigu du duo traverso\/violon. Le continuo, habilement con\u00e7u par Zapico \u00e0 la guitare, constituait sans aucun doute un atout pr\u00e9cieux, tant par sa ma\u00eetrise de l’\u00e9laboration du continuo que par l’excellence de son jeu.<\/p>\n Le r\u00e9citatif \u00abEl grosero sayal de su pobreza\u00bb est parvenu avec une voix chaleureuse, \u00e0 nouveau avec une diction parfaitement ma\u00eetris\u00e9e et un continuo ferme et raffin\u00e9. L’air (Spiritoso-Despacio) [\u2026], fut l’un des instants les plus m\u00e9morables, tant sur le plan sonore qu’\u00e9motionnel, de toute la soir\u00e9e, notamment en raison de la s\u00e9r\u00e9nit\u00e9 et de la d\u00e9licatesse qui \u00e9manaient de la voix et de la pr\u00e9sence de la chanteuse madril\u00e8ne. Chant\u00e9 sans traverso, [\u2026], l’ensemble instrumental a su offrir une coordination d’une harmonie parfaite entre les diff\u00e9rentes parties, mettant en lumi\u00e8re la voix, qui, de son c\u00f4t\u00e9, a livr\u00e9 un da capo aux graves impeccables, \u00e0 l\u2019aigu pur et limpide, et une ornementation qui s’est distingu\u00e9e par son go\u00fbt exquis et sa beaut\u00e9 vocale in\u00e9gal\u00e9e.<\/p>\n \u00abAplaudan las ondas\u00bb, [\u2026], d\u00e9butant par un r\u00e9citatif d’une grande finesse prosodique, une v\u00e9ritable d\u00e9monstration de \u00abbel canto\u00bb d’une expressivit\u00e9 rare. L’Air (Allegro gustoso) \u00abDel valle al alto monte\u00bb, de caract\u00e8re plus enjou\u00e9, o\u00f9 Caihuela s’est illustr\u00e9e avec la m\u00eame ma\u00eetrise, dessinant une colorature pr\u00e9cise et \u00e9nergique, soutenant avec assurance cet air de longue dur\u00e9e [\u2026]. Le travail orchestral se distingua \u00e9galement dans cet Air d’une qualit\u00e9 musicale ind\u00e9niable.<\/p>\n Surprenantes par leur qualit\u00e9, [les pi\u00e8ces pour clavecin] ont \u00e9t\u00e9 d\u00e9fendues avec brio par Andr\u00e9s Alberto G\u00f3mez. Le jeu subtil entre les deux claviers a apport\u00e9 une richesse dynamique ind\u00e9niable, chaque passage de gammes \u00e9tant ex\u00e9cut\u00e9 avec un soin minutieux et un son d’une d\u00e9licatesse remarquable, notamment dans l’Adagio, avant de c\u00e9der la place \u00e0 un Presto d’une \u00e9criture bien plus complexe, o\u00f9 il a fait preuve d’une grande pr\u00e9cision rythmique. Le travail expressif sur les silences a \u00e9t\u00e9 particuli\u00e8rement impressionnant, tandis que les passages plus \u00e9labor\u00e9s sur les deux claviers ont \u00e9t\u00e9 r\u00e9solus avec une virtuosit\u00e9 \u00e9clatante.<\/p>\n Dans l’air [\u2026] \u00abYo m\u00e1s no puedo hablar\u00bb, Cantada al Sant\u00edsimo [1768] [\u2026]. Les agilit\u00e9s ont \u00e9t\u00e9 ex\u00e9cut\u00e9es avec aisance, soutenues par des violons au style d’\u00e9criture assez agit\u00e9, tandis que le jeu du th\u00e9orbe apportait une couleur et un caract\u00e8re particulier au continuo. Le chromatisme expressif a \u00e9t\u00e9 magnifiquement soulign\u00e9, avant de conclure l’Air par une cadence vocale o\u00f9 l’aigu a r\u00e9sonn\u00e9 avec clart\u00e9 et ampleur.<\/p>\n Le programme s’est achev\u00e9 par \u00abRespira sin temor\u00bb, Cantada a la Pur\u00edsima Concepci\u00f3n [1750], [\u2026], dont l’Air (Allegro spiritoso) \u00abJilguerillos bulliciosos\u00bb a pris vie sous les doigts du fl\u00fbtiste, qui a sculpt\u00e9 la m\u00e9lodie avec un phras\u00e9 d’une finesse exceptionnelle, soutenu par des violons d’une grande efficacit\u00e9 et un continuo somptueusement orn\u00e9 et d\u2019une grande solidit\u00e9. L’\u00e9l\u00e9gance et l\u2019\u00e9clat de la voix ont de nouveau r\u00e9sonn\u00e9 dans l’immense nef, avec une justesse d’intonation enviable et une pr\u00e9sence d’une grande assurance. Une performance vocale spectaculaire, accompagn\u00e9e par un tutti qui \u00e9volue avec une grande aisance dans ce r\u00e9pertoire.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Mario Guada, Codalario<\/em><\/a>. 10 Mars 2023<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLa Guirlande a jou\u00e9 tout aussi bien qu’elle nous en a donn\u00e9 l’habitude. Elle a de nouveau accueilli la violoniste australienne [Lathika Vithanage] […] Quel plaisir de l\u2019\u00e9couter et surtout de la voir jouer, car elle a toujours le sourire aux l\u00e8vres. Mart\u00ednez Pueyo pour sa part a brill\u00e9 au traverso, parfaitement en harmonie avec les deux autres membres de l’ensemble.<\/p>\n Caihuela a fait \u00e9talage de sa voix si particuli\u00e8re, sombre et puissante et a fait montre de ma\u00eetrise, d’assurance et m\u00eame de facilit\u00e9 pour atteindre les notes les plus aigu\u00ebs.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Eduardo Torrico, Scherzo<\/em><\/a>. 3 Mars 2023<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb8350″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.20.4″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLuis Mart\u00ednez a s\u00e9lectionn\u00e9 une s\u00e9rie d’\u0153uvres dans lesquelles son instrument s’illustre comme soliste ou se fond avec la voix d’Alicia Amo, comme dans le magnifique Cristal bello<\/em> d’Ignacio Jerusalem y Stella, admirablement accompagn\u00e9 par la section des cordes et le parfait continuo de Joan Boronat au clavecin.<\/p>\n Alicia Amo, soprano \u00e0 l’admirable pr\u00e9sence, interpr\u00e8te avec conviction la cantate sacr\u00e9e Inmenso amor<\/em> de Jaime Casellas.<\/p>\n Cette anthologie, en grande partie in\u00e9dite, s’av\u00e8re tr\u00e8s attrayante et b\u00e9n\u00e9ficie de surcro\u00eet d’une superbe prise de son.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Philippe Ramin, Classica<\/a><\/em>. Avril 2022<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb8048,8045″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.17.4″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLa soprano Alicia Amo et le fl\u00fbtiste Luis Mart\u00ednez ne m\u00e9ritent que des \u00e9loges sans r\u00e9serve. La Guirlande est une r\u00e9f\u00e9rence indiscutable pour l’interpr\u00e9tation historique. Ses membres sont d’excellents musiciens de chambre et leurs interpr\u00e9tations sont toujours s\u00e9duisantes. [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Antonio Arias, Todo Flauta<\/em>. Mars 2022<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb7627″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.20.4″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abNous d\u00e9couvrons des moments de grande \u00e9motion vocale, entrelac\u00e9s de passages instrumentaux d’une sophistication remarquable, provenant du Mexique et de l’Espagne du XVIIIe si\u00e8cle. Luis Mart\u00ednez ma\u00eetrise son instrument [\u2026] avec une flexibilit\u00e9 et une chaleur exceptionnelles, devenant ainsi le compagnon parfait de la soprano Alicia Amo. [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Wolfgang Reihing, Toccata<\/a><\/em>. Janvier 2022<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb7621″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.16″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abEn la primera obra, Cristal Bello, apreciamos una coloratura muy bien desarrollada en los melismas, una agradable vocalizaci\u00f3n, y ornamentaci\u00f3n repleta de fantas\u00eda. Una gran teatralidad puede apreciarse a lo largo de la tercera obra, Inmenso amor, […] donde Alicia alardea entre el recitativo y el arioso, muy c\u00f3moda en ambos modos. El afelpado continuo, muy atento a las din\u00e1micas, tempo y pausas, destaca en el Allegro. La perla vocal la hallamos en la vivaldiana aria de Illana, Erizada la noche, donde se registran legatos de gran calidez ante una feroz tormenta. En S\u00edgueme Pastor, un bello dueto entre soprano y flauta sella una ejecuci\u00f3n dulce, compenetrada y sin fisuras. Boronat al teclado reluce […] en la Sonata de 8\u00ba tono de Nebra, impoluto en la articulaci\u00f3n y en adornos. Destaca el continuo en los movimientos r\u00e1pidos de la Sonata en Sol menor para flauta […], para deleite de Mart\u00ednez, y en los tempos lentos de Versos de segundo tono, donde se aprecia una respiraci\u00f3n conjunta muy adecuada a la ret\u00f3rica musical. En resumen, calidad y poco a cuestionar en un disco que roza la excelencia y que, adem\u00e1s, supone un soplo de aire fresco para el patrimonio musical espa\u00f1ol.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb hover_enabled=\u00a0\u00bb0″ text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb sticky_enabled=\u00a0\u00bb0″]<\/p>\n Carlos Garc\u00eda Reche en Mel\u00f3mano<\/em><\/a>. Noviembre 2021<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb7615″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.16″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abNo exageramos ni un \u00e1pice al decir que todo en este disco merece ser destacado. El repertorio […], en primer lugar. Y tambi\u00e9n, los m\u00fasicos.<\/p>\n La soprano […] Alicia Amo, que interpreta con emoci\u00f3n y entrega esta m\u00fasica olvidada; el clavecinista Joan Boronat, que desgrana una hermosa sonata con aires escarlatianos de Jos\u00e9 de Nebra; y Luis Mart\u00ednez Pueyo, magn\u00edfico como flautista […], extrayendo de su grupo, La Guirlande, un sonido redondo y sin fisuras, y resucitando con garra y fuerza una m\u00fasica en la que […] cree. Gran disco.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Mariano Acero Ruil\u00f3pez en Scherzo<\/em><\/a>. Noviembre 2021<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb7593″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLa Guirlande, [\u2026] cr\u00e9\u00e9 et dirig\u00e9 par le fl\u00fbtiste Luis Mart\u00ednez Pueyo, livre une prestation admirable en collaboration avec la soprano Alicia Amo. Ce disque nous plonge dans un r\u00e9pertoire raffin\u00e9 et d’une grande qualit\u00e9, qui m\u00e9rite l’attention des m\u00e9lomanes les plus exigeants.<\/p>\n Alicia Amo, avec sa voix chaleureuse, d\u00e9ploie une maturit\u00e9 vocale impressionnante, qui lui permet d\u2019aborder avec aisance un r\u00e9pertoire vari\u00e9, alliant une technique irr\u00e9prochable \u00e0 un go\u00fbt raffin\u00e9 et une expressivit\u00e9 sans faille. Il en va de m\u00eame pour les membres du groupe instrumental qui se distingue par la beaut\u00e9 et la pl\u00e9nitude de ses violons, soutenus par une basse continue qui insuffle mille \u00e9motions \u00e0 ces pi\u00e8ces galantes directement inspir\u00e9es par le style baroque. L\u2019ensemble et son enthousiaste directeur, flutiste virtuose exceptionnel, signent un CD d\u00e9licieux qui m\u00e9rite de figurer dans toute discoth\u00e8que digne de ce nom.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Sim\u00f3n Andueza, Ritmo<\/a><\/em>. Novembre 2021<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb6935″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLa complicit\u00e9 entre les trois interpr\u00e8tes a \u00e9t\u00e9 manifeste, permettant de maintenir un int\u00e9ressant dialogue tout au long du concert.<\/p>\n Ester Domingo offrit une interpr\u00e9tation sublime [\u2026], se distinguant par la technique et l’expressivit\u00e9 qu’elle insuffla \u00e0 cette \u0153uvre complexe. Le claveciniste, loin de se cantonner \u00e0 un r\u00f4le d’accompagnateur, fit preuve d’un d\u00e9veloppement remarquable de la basse continue, en parfaite harmonie avec le violoncelle.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Teresa Pueyo, Diario del Alto<\/em>\u00a0Arag\u00f3n<\/em>. 27 Ao\u00fbt 2021<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb6664″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abUne approche coh\u00e9rente et une ex\u00e9cution magnifique de La Guirlande […] efficacement dirig\u00e9e par le fl\u00fbtiste Luis Mart\u00ednez.<\/p>\n Vadym Mararenko a fait montre d’une musicalit\u00e9 exquise dans son ex\u00e9cution, \u00e0 la fois \u00e9l\u00e9gante et robuste.<\/p>\n […] Ester Domingo […], accompagn\u00e9e par […] Joan Boronat et […] Pablo Fitzgerald. Une \u0153uvre difficile que la violoncelliste a d\u00e9chiffr\u00e9e avec une grande ma\u00eetrise.<\/p>\n Le passage en soliste pour la fl\u00fbte […] une sonate exigeante sur le plan technique et sur le sens musical, bien ma\u00eetris\u00e9e par Luis Mart\u00ednez et son ensemble.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Francisco Javier Aguirre, Heraldo de Arag\u00f3n<\/em>. 16 Mai 2021<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb6114″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLe concert offert par l’ensemble La Guirlande a \u00e9t\u00e9 remarquable.<\/p>\n La soprano Alicia Amo, avec sa diction claire, son articulation pr\u00e9cise, son vibrato brillant et sa remarquable expressivit\u00e9, a assur\u00e9 les compositions vocales.<\/p>\n […] La \u00ab\u00a0Sonata del 8\u00ba tono\u00a0\u00bb pour clavecin, de Jos\u00e9 de Nebra, interpr\u00e9t\u00e9e avec une s\u00fbret\u00e9 harmonieuse par Joan Boronat.<\/p>\n Luis Mart\u00ednez […] a montr\u00e9 tout son savoir-faire dans les quatre mouvements de la pi\u00e8ce. Sonorit\u00e9 ample et raffin\u00e9e du traverso, tempos parfaitement ma\u00eetris\u00e9s et un trio d’une grande coh\u00e9sion dans l\u2019ex\u00e9cution des variations et inflexions.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Francisco Javier Aguirre, Heraldo de Arag\u00f3n<\/em>. 19 Mars 2021<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abAlicia Amo, [\u2026], d\u00e9ploya toute la richesse de ses moyens vocaux et sa musicalit\u00e9 inn\u00e9e.<\/p>\n La voix fra\u00eeche, toujours bien plac\u00e9e, homog\u00e8ne, aux aigus faciles, dramatique dans les r\u00e9citatifs, et expressive de la chanteuse burgalaise, \u00e9tait l\u2019un des nombreux \u00e9l\u00e9ments qui se m\u00eal\u00e8rent \u00e0 des interpr\u00e9tations d\u2019un \u00e9quilibre prodigieux et d\u2019un niveau technique et musical d’une grande excellence. \u00c0 ses c\u00f4t\u00e9s, s\u2019entrelac\u00e8rent le traverso oblig\u00e9 de Luis Mart\u00ednez, les deux violons, et un ample section de continuo. Non seulement ils soutinrent les parties solistes avec une \u00e9l\u00e9gance et une profondeur subtiles, mais ils s\u2019illustr\u00e8rent par des interventions savoureuses, comme l\u2019archiluth de Pablo FitzGerald dans les Versos de segundo tono de Jerusalem, sa guitare dans le Benigne fac de la fin, ou encore le violoncelle d\u2019Ester Domingo dans les mouvements rapides de la Sonate de Locatelli, que Mart\u00ednez joua avec une nettet\u00e9 et une assurance parfaites. Enfin, il convient de souligner le jeu, \u00e0 la fois d\u00e9tendu, lyrique et charnu du premier violon de Vadym Makarenko.<\/p>\n L’\u00e9quilibre entre ces quatre plans sonores a permis aux textures instrumentales de conserver une transparence remarquable tout au long de l’interpr\u00e9tation. L\u2019ensemble a rayonn\u00e9 aussi bien dans les moments de grande d\u00e9licatesse que dans les \u00e9clats visc\u00e9raux de l\u2019air de Hern\u00e1ndez Illana, qui donnait son titre au concert, o\u00f9 les ataques se faisaient plus tranchantes et les contrastes plus exacerb\u00e9s, utilisant un grande palette de dynamiques. L\u2019air d\u2019Irribaren, en bis, est venu confirmer l\u2019excellence de cette soir\u00e9e musicale.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Pablo J. Vay\u00f3n, Diario de Sevilla<\/em><\/a>. 18 Mars 2021<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abL’interpr\u00e9tation de la sublime Sonate en sol mineur a jou\u00e9 un r\u00f4le d\u00e9terminant, [\u2026] offrant \u00e0 Luis Mart\u00ednez Pueyo l’occasion de briller pleinement. C’est lui qui portait la responsabilit\u00e9 principale de l’ex\u00e9cution de l’\u0153uvre, soutenu de mani\u00e8re exceptionnelle par le claveciniste Joan Boronat. Ce dernier, par son accompagnement, a su endosser le r\u00f4le crucial d’unificateur polyphonique.<\/p>\n La soprano Alicia Amo, [\u2026] a atteint une intensit\u00e9 dramatique o\u00f9 la musique et les mots se fusionnaient avec une rare harmonie, chacun renfor\u00e7ant la port\u00e9e de l\u2019autre. Son interpr\u00e9tation, marqu\u00e9e par une tension expressive palpable, a capt\u00e9 l\u2019attention de l\u2019auditoire, le tenant en haleine jusqu\u2019\u00e0 la toute derni\u00e8re note, avec une intensit\u00e9 qui n\u2019a cess\u00e9 de cro\u00eetre tout au long de la performance. \u00c0 travers cette \u0153uvre, nous avons pu appr\u00e9cier la remarquable coh\u00e9sion au sein de La Guirlande, chaque membre faisant preuve d’une individualit\u00e9 expressive saisissante. Leur interpr\u00e9tation du r\u00e9pertoire s’est distingu\u00e9e par une musicalit\u00e9 collective \u00e0 la fois spontan\u00e9e et d’une richesse rare.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Jos\u00e9 Antonio Cant\u00f3n, Scherzo<\/em><\/a>. 8 D\u00e9cembre 2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb5023″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLes trois interpr\u00e8tes de La Guirlande en cette occasion, son fondateur Luis Mart\u00ednez au traverso, la violoncelliste Ester Domingo et le violoniste Vadym Makarenko, ont fait de la simplicit\u00e9 et de la fra\u00eecheur les \u00e9l\u00e9ments essentiels pour que cette musique de chambre, bien que modeste, prenne une ampleur inattendue. Ils ont offert une prestation d\u2019ensemble remarquable, avec un son parfaitement homog\u00e8ne, un phras\u00e9 \u00e0 la fois vari\u00e9 et en parfaite ad\u00e9quation avec l\u2019\u00e9poque, parvenant \u00e0 restituer le son de Haydn au plus proche de ce qui devait s\u2019entendre \u00e0 l\u2019\u00e9poque.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Juan Carlos Galtier, Heraldo de Arag\u00f3n<\/em>. 2 Ao\u00fbt 2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb7600″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abC\u2019est pr\u00e9cis\u00e9ment \u00e0 ces figures itin\u00e9rantes que La Guirlande consacre son nouvel album, Spanish Travelling Virtuosi<\/em>, sans conteste l\u2019une des d\u00e9marches de red\u00e9couverte les plus captivantes et soigneusement \u00e9labor\u00e9es de ces derni\u00e8res ann\u00e9es. Il va sans dire que la prestation des interpr\u00e8tes est remarquable, t\u00e9moignant d\u2019une extr\u00eame pr\u00e9cision, avec un phras\u00e9 et un \u00e9quilibre sonore d\u2019une \u00e9l\u00e9gance et d\u2019une subtilit\u00e9 pouss\u00e9es jusqu\u2019au moindre d\u00e9tail. Apr\u00e8s ce disque, La Guirlande ne manquera pas de consolider davantage sa position parmi les ensembles historicistes les plus remarquables du paysage musical national.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Luc\u00eda Mart\u00edn-Maestro Verbo, Mel\u00f3mano<\/em><\/a>. 3 Juin 2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||5%|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLa soprano et l’ensemble espagnol s’unissent dans un programme magistralement con\u00e7u par Ars Hispana, offrant une interpr\u00e9tation musicale d’une grande qualit\u00e9.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#878787″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abIl s’agit d’un air d’une immense beaut\u00e9, brillamment incarn\u00e9 gr\u00e2ce au phras\u00e9 exquis des violons de Lathika Vithanage et Aliza Vicente, dont le travail tout au long du concert, notamment dans les passages \u00e0 l’unisson, s’est r\u00e9v\u00e9l\u00e9 particuli\u00e8rement remarquable, avec une justesse et une coh\u00e9sion admirablement r\u00e9ussies. Quant \u00e0 la soprano burgalaise Alicia Amo, elle a d’abord fait montre d\u2019une excellente diction, avec des ornements parfaitement appropri\u00e9s dans le da capo de l\u2019air, exhibant une vocalit\u00e9 parfaitement ajust\u00e9e au r\u00e9pertoire, un timbre agr\u00e9able, une belle projection et une \u00e9l\u00e9gance saisissante dans son phras\u00e9. Magnifique et inventif, \u00e0 son tour, le continuo orchestr\u00e9 par Pablo FitzGerald \u00e0 l’archiluth.<\/p>\n Le traverso de Mart\u00ednez Pueyo s’est d\u00e9ploy\u00e9 avec une remarquable fluidit\u00e9 et une puissance naturelle, produisant un son d\u2019une grande puret\u00e9, un contr\u00f4le de l’air impeccable et une gestion raffin\u00e9e des articulations. Il est rare de rencontrer aujourd’hui des fl\u00fbtistes baroques espagnols de premier plan; il est \u00e9vident que celui-ci s’affirme d\u00e9j\u00e0 comme l’un d\u2019eux. Pour sa part, Amo a offert un discours vocal d’une grande intelligence, parfaitement adapt\u00e9 au caract\u00e8re et \u00e0 l’esprit de l’\u0153uvre. Son aigu se d\u00e9ploie avec aisance, sans effort, tandis que sa diction, particuli\u00e8rement soign\u00e9e dans son registre m\u00e9dium-grave, a enrichi le discours de belles nuances. L’\u00e9quilibre entre les deux solistes s’est \u00e9tabli de mani\u00e8re convaincante. Dans les coplas (couplets), le continuo a subtilement mis en lumi\u00e8re le caract\u00e8re rythmique de l’\u00e9criture, avec la guitare baroque ajoutant des ornementations d\u00e9licates, tout en accompagnant un traverso qui a ex\u00e9cut\u00e9 avec pr\u00e9cision les passages de gammes de l’\u0153uvre.<\/p>\n L’\u00e9quilibre entre les sections rythmiquement marqu\u00e9es et les passages plus legato a \u00e9t\u00e9 particuli\u00e8rement r\u00e9ussi, tout comme l\u2019effet saisissant de la section B de l’air, qui met en lumi\u00e8re le contraste entre la section A et son da capo, o\u00f9 les violons ont fait preuve d’un unisson parfait. La corde pinc\u00e9e s\u2019est \u00e0 nouveau distingu\u00e9e, offrant un continuo d\u2019une \u00e9clatante luminosit\u00e9 et d\u2019un impact sonore impressionnant.<\/p>\n La derni\u00e8re des \u0153uvres vocales a commenc\u00e9 par une introduction instrumentale de grande richesse sonore, offrant un \u00e9quilibre parfait entre les instrumentistes et un travail exceptionnel sur les passages \u00e0 l\u2019unisson, suivie de l\u2019Air \u2013 Allegro \u2013 marqu\u00e9 par une introduction lumineuse, contrastant harmonieusement les passages \u00e0 tutti et en solo, avec des agilit\u00e9s vocales parfaitement ma\u00eetris\u00e9es. De nouveau, un travail vocal d\u2019une grande qualit\u00e9 dans l\u2019air, marqu\u00e9 par une diction irr\u00e9prochable et un dialogue joliment construit, ainsi qu\u2019une coh\u00e9rence particuli\u00e8rement convaincante dans le contraste des diff\u00e9rents blocs, faisant montre d\u2019une approche vocale imaginative dans le da capo, et soutenue par un accompagnement d\u2019une grande distinction.<\/p>\n Magnifiquement interpr\u00e9t\u00e9e par Joan Boronat, se distinguant par une agilit\u00e9 exceptionnelle de la main droite et un phras\u00e9 d\u2019une grande fluidit\u00e9, d\u00e9pourvu de toute approche m\u00e9canique, faisant un usage intelligent des deux claviers selon les passages sp\u00e9cifiques, tout en proposant une interpr\u00e9tation flexible de l\u2019agogique et cr\u00e9ant un contraste r\u00e9ussi entre les moments de tension et de rel\u00e2chement de la pi\u00e8ce. Une interpr\u00e9tation de grande envergure effectu\u00e9e par Vithanage et Vicente, qui se distingue par un travail impeccable des unissons et une attention minutieuse au son, permettant ainsi des lectures d\u2019une rare subtilit\u00e9 qui exploitent pleinement la richesse des compositions. L’accent doit \u00eatre mis sur l’ex\u00e9cution particuli\u00e8rement brillante d\u2019une des pi\u00e8ces, o\u00f9 le traitement du canon a mis en \u00e9vidence une imitation d’une rigueur exemplaire entre les deux violons, le tout contrastant avec un continuo \u00e0 la fois sobre et imaginatif. Mart\u00ednez Pueyo a captiv\u00e9 par une approche au son d’une grande puret\u00e9, marqu\u00e9e par un contr\u00f4le de l’air d’une grande pr\u00e9cision et une musicalit\u00e9 raffin\u00e9e. Il a \u00e9t\u00e9 particuli\u00e8rement brillant et techniquement impeccable dans les passages rapides, accompagn\u00e9 par un continuo d\u2019une grande sobri\u00e9t\u00e9, offrant un discours qui soutenait le protagoniste sans chercher \u00e0 imposer une dimension sonore susceptible de d\u00e9naturer la ligne soliste, mais au contraire en la soutenant et en y ajoutant de la couleur.<\/p>\n Ce programme, fruit d\u2019un travail consid\u00e9rable, a \u00e9t\u00e9 port\u00e9 par l\u2019un des ensembles espagnols les plus prometteurs et dont la d\u00e9marche est actuellement des plus captivantes. La contribution d\u2019Amo a apport\u00e9 une r\u00e9elle richesse \u00e0 cette performance, tout comme celle des deux violonistes exceptionnelles, accompagn\u00e9es par un continuo d\u2019une grande qualit\u00e9. Ensemble, ils ont mis en lumi\u00e8re l\u2019autre grand protagoniste de la soir\u00e9e : un fl\u00fbtiste dont le talent est promis \u00e0 un avenir brillant.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Mario Guada, Codalario<\/em><\/a>. 10 Mars 2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abParmi les pi\u00e8ces vocales propos\u00e9es [\u2026] La Guirlande a int\u00e9gr\u00e9 quelques \u0153uvres instrumentales: la Sonate en 8\u00e8me ton de Jos\u00e9 de Nebra \u2013 d\u2019inspiration scarlattienne, a \u00e9t\u00e9 interpr\u00e9t\u00e9e avec une finesse remarquable par le claveciniste Joan Boronat \u2013, les Versets en deuxi\u00e8me ton de De Jerusalem \u2013 ont permis \u00e0 la violoniste australienne Lathika Vithanage de d\u00e9montrer tout le talent qui lui a valu d’\u00eatre reconnue comme l’une des meilleures sp\u00e9cialistes de son instrument ces derni\u00e8res ann\u00e9es, accompagn\u00e9e avec \u00e9l\u00e9gance par Aliza Vicente \u2013 et finalement, la Sonate n\u00b0 6 op. 2 en Sol mineur pour fl\u00fbte traversi\u00e8re et basse continue de Pietro Antonio Locatelli a offert une occasion id\u00e9ale pour Luis Mart\u00ednez Pueyo, directeur du groupe, de se distinguer \u00e0 travers une \u00e9mission d\u00e9licate et d’une clart\u00e9 irr\u00e9prochable.<\/p>\n La soprano Alicia Amo a chant\u00e9 avec cette douceur exquise qui lui est propre, franchissant sans encombre les difficult\u00e9s techniques qui se sont pr\u00e9sent\u00e9es \u00e0 elle \u2013 certaines \u00e9tant, en effet, particuli\u00e8rement ardues \u2013 [\u2026]. Tant la soprano que l’ensemble ont atteint des sommets d’excellence, sans la moindre faille ni alt\u00e9ration : les deux violons se sont r\u00e9v\u00e9l\u00e9s superbes, la fl\u00fbte traversi\u00e8re \u00e9clatante, et le continuo instrumental somptueux form\u00e9 par le d\u00e9j\u00e0 mentionn\u00e9 Boronat, Ester Domingo \u2013 au violoncelle \u2013 et Pablo FitzGerald \u2013 \u00e0 l’archiluth et \u00e0 la guitare.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Eduardo Torrico, Scherzo<\/em><\/a>. 6 Mars 2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb7603″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abDes interpr\u00e9tations historicistes de tr\u00e8s haute qualit\u00e9 jou\u00e9es par l’ensemble La Guirlande, avec une mention particuli\u00e8re pour son fondateur, l’excellent fl\u00fbtiste Luis Mart\u00ednez Pueyo.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Salustio Alvarado, Ritmo<\/em><\/a>. F\u00e9vrier 2020<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abToutes ces \u0153uvres sont interpr\u00e9t\u00e9es avec une \u00e9l\u00e9gance et un raffinement instrumental remarquable par un ensemble talentueux et en pleine ascension, La Guirlande [\u2026]. Leur excellence artistique ne se limite pas seulement \u00e0 la ma\u00eetrise technique de ses membres, [\u2026] mais se traduit \u00e9galement par une coh\u00e9sion parfaite du timbre et du rythme, ainsi qu\u2019une attention minutieuse au phras\u00e9 et \u00e0 la gestion des cadences. Tous les solistes, qu\u2019il s\u2019agisse du fl\u00fbtiste dans les sonates de Pla, d\u2019Ester Domingo au violoncelle dans l’\u0153uvre de Facco, ou de Joan Boronat en solo au clavecin dans la Corrente italienne de Joan Cabanilles \u2013 sans oublier l\u2019accompagnement magistral du continuo tout au long de l\u2019album \u2013, incarnent une autorit\u00e9 musicale d\u2019une rare noblesse et d\u2019une qualit\u00e9 sonore exceptionnelle.<\/p>\n L’enregistrement est enrichi par une superbe prise de son r\u00e9alis\u00e9e au Palais du Comte d’Aranda, situ\u00e9 dans la ville d’\u00c9pila, \u00e0 Saragosse.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Germ\u00e1n Garc\u00eda Tom\u00e1s, Opera World<\/em><\/a>. 21 Novembre 2019<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLes mots me manquent pour d\u00e9crire cet album, qui est de loin le meilleur que j\u2019aie \u00e9cout\u00e9 cette ann\u00e9e. Dans lequel un travail de r\u00e9cup\u00e9ration d’\u0153uvres d’une richesse ind\u00e9niable se marie \u00e0 une interpr\u00e9tation magistrale. C\u2019est tout simplement \u00e9blouissant. [\u2026] Avec ce disque, La Guirlande s\u2019impose plus que jamais comme l\u2019un des ensembles les plus talentueux et prometteurs de la sc\u00e8ne musicale europ\u00e9enne actuelle.<\/p>\n Comme je l\u2019ai soulign\u00e9, l\u2019\u00e9dition est soigneusement r\u00e9alis\u00e9e, tant au niveau de l\u2019enregistrement que de l\u2019interpr\u00e9tation, du design et du choix du r\u00e9pertoire. Il convient de mettre en avant le livret exceptionnel, r\u00e9dig\u00e9 par Luis Mart\u00ednez \u2013 Il est remarquable que les interpr\u00e8tes \u00e9crivent leurs propres textes pour leurs enregistrements \u2013 offrant des informations pr\u00e9cises et approfondies sur les \u0153uvres s\u00e9lectionn\u00e9es.<\/p>\n Faisant \u00e9talage de leur parfaite ma\u00eetrise de l’instrument, les interpr\u00e8tes ne se contentent pas de faire r\u00e9sonner leurs instruments, ils chantent et parlent, dialoguent, d\u00e9ployant une rh\u00e9torique exquise \u00e0 la qu\u00eate d’un sens trop souvent absent dans les interpr\u00e9tations contemporaines.<\/p>\n En somme, un disque incontournable pour tout passionn\u00e9 de cette \u00e9poque fascinante.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Pedro Pablo C\u00e1mara, Docenotas.com<\/em><\/a>. 7 Octobre 2019<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLe CD que nous d\u00e9couvrons ici, port\u00e9 par une th\u00e9matique \u00e0 la fois originale et inspir\u00e9e, met en lumi\u00e8re l’excellence musicale du groupe. Ses versions combinent le rigorisme historiciste avec une fra\u00eecheur raffin\u00e9e, nous r\u00e9v\u00e9lant ainsi un r\u00e9pertoire aussi rare que fascinant. Ce groupe splendide m\u00e9rite tous les \u00e9loges, et il ne fait aucun doute que son avenir promet une carri\u00e8re des plus remarquables.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Antonio Arias, Todo Flauta<\/em>. Octobre 2019<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb7606″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abCertains albums captivent l\u2019auditeur d\u00e8s les premi\u00e8res notes, et celui-ci en fait indiscutablement partie. [\u2026] il me faut souligner que, dans ce cas, le plaisir est immense.<\/p>\n Le programme propos\u00e9 offre \u00e0 chacun des membres du groupe, essentiellement espagnol, La Guirlande \u2013 fond\u00e9 par le fl\u00fbtiste baroque Luis Mart\u00ednez Pueyo, \u00e9galement auteur des notes de programme particuli\u00e8rement \u00e9clairantes \u2013 l\u2019opportunit\u00e9 de s\u2019illustrer en tant que solistes, mettant ainsi en lumi\u00e8re la qualit\u00e9 exceptionnelle de leurs interpr\u00e9tations. Cet aspect contribue grandement \u00e0 la jouissance de l\u2019\u00e9coute et \u00e0 la recommandation de ce disque, qui comble assur\u00e9ment un vide musical qui, peu \u00e0 peu, commence \u00e0 se r\u00e9duire.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Mariano Acero Ruil\u00f3pez, Scherzo<\/a><\/em>. 1 Septembre 2019<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb4750″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abD\u00e8s la premi\u00e8re \u0153uvre, la Sonate en Si mineur BWV 1030 du patriarche, la rigueur interpr\u00e9tative de Gr\u00e0cia se faisait sentir, avec des contrastes bien marqu\u00e9s dans le Presto final, accompagnant un traverso au timbre m\u00e9lodieux et g\u00e9n\u00e9rant des effets d’une grande brillance. Dans la Fantaisie pour clavecin en La mineur F.23 de Wilhelm Friedemann, il offrait une lecture minutieuse, o\u00f9 la technique se m\u00ealait \u00e0 une expressivit\u00e9 saisissante. La Sonate classique pour fl\u00fbte et clavecin oblig\u00e9 en R\u00e9 majeur de Johann Christoph Friedrich, concluait la premi\u00e8re partie de la session, avec un traverso et un clavecin unis dans une harmonie sereine et une belle compr\u00e9hension mutuelle.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Francisco Javier Aguirre, Heraldo de Arag\u00f3n<\/a><\/em>. 27 Juillet 2019<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.16″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#8d8d8d\u00a0\u00bb text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb0.5px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||1.5%|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\u00abAm meisten \u00fcberzeugt zeigte sich die Jury schlie\u00dflich vom [\u2026] Ensemble La Guirlande. Mit ihrem in allen Facetten tief empfundenen, souver\u00e4n-professionellen, perfekt aufeinander eingespielten Vortrag der Triosonate aus Bachs \u201cMusikalischem Opfer\u201d [\u2026]\u00bb \u00abFinalement, le jury a \u00e9t\u00e9 pleinement convaincu par l’ensemble La Guirlande [\u2026] pour sa version de la sonate en trio de \u00ab L’offrande musicale \u00bb de Bach qui se distingue par une profonde sensibilit\u00e9, une grande ma\u00eetrise professionnelle et une coh\u00e9sion parfaite entre les musiciens [\u2026]\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Heike Haberl, Donaukurier<\/a><\/em>. 13 Ao\u00fbt 2017<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.16″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#8d8d8d\u00a0\u00bb text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||1.5%|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]\u00abDas [\u2026] Ensemble La Guirlande bot ziemlich schwere Kost: Die Triosonate aus Johann Sebastian Bachs \u201cMusikalischem Opfer\u201d ist ein Meisterwerk der Mehrstimmigkeit. La Guirlande schaffte es mit differenzierter Lautst\u00e4rke und \u00e4u\u00dferst homogenem Spiel, die Schichten des Werkes freizulegen, und wurde daf\u00fcr von der Jury mit dem ersten Preis belohnt.\u00bb \u00abL’ensemble [\u2026] La Guirlande a propos\u00e9 un morceau particuli\u00e8rement exigeant: la sonate en trio de \u00ab L’Offrande musicale \u00bb de Johann Sebastian Bach, une \u0153uvre embl\u00e9matique du contrepoint. [\u2026] La Guirlande a su r\u00e9v\u00e9ler toute la richesse de cette pi\u00e8ce en l\u2019interpr\u00e9tant avec une grande homog\u00e9n\u00e9it\u00e9 et une intensit\u00e9 sonore nuanc\u00e9e, ce qui lui a valu d\u2019\u00eatre r\u00e9compens\u00e9 par le premier prix du jury.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Raphael Beck, Augsburger Allgemeine<\/a><\/em>. 13 Ao\u00fbt 2017<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abL’art de ressusciter la musique historique \u00e0 travers des instruments d’\u00e9poque n\u00e9cessite des interpr\u00e8tes passionn\u00e9s, engag\u00e9s et profond\u00e9ment cultiv\u00e9s. Voil\u00e1 ce que nous offre La Guirlande, un quatuor qui, avec sobri\u00e9t\u00e9, \u00e9l\u00e9gance et passion, a su nous envelopper dans une tension musicale continue, port\u00e9e par les r\u00e9sonances subtiles de l’\u00e9glise de San Marcos, en plein c\u0153ur de Madrid.<\/p>\n Un moment absolument inoubliable !\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Sol Bordas, El arte de la fuga<\/em><\/a>. 8 Mars 2017<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||5%|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abL’ensemble de musique de chambre espagnol a d\u00e9but\u00e9 sous sa nouvelle formation avec un superbe programme monographique d\u00e9di\u00e9 \u00e0 Bach, r\u00e9v\u00e9lant ainsi toute l’ampleur de son talent exceptionnel.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#878787″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLe XVIIe Festival Internacional de Arte Sacro suit son cours dans cette \u00e9dition en nous offrant l\u2019un des concerts les plus marquants de ces derni\u00e8res ann\u00e9es, port\u00e9 par un ensemble historiciste presque enti\u00e8rement espagnol. Cette ann\u00e9e, La Guirlande se pr\u00e9sentait au festival pour offrir au public [\u2026] ce magnifique programme, intelligemment intitul\u00e9 \u00ab\u00a0Au nom du P\u00e8re\u00a0\u00bb.\u00bb<\/p>\n L\u2019interpr\u00e9tation de La Guirlande s\u2019est r\u00e9v\u00e9l\u00e9e aussi surprenante qu\u2019\u00e9blouissante. [\u2026] Au centre de cette performance, Luis Mart\u00ednez, flutiste baroque form\u00e9 \u00e0 la Schola Cantorum Basiliensis, s\u2019est affirm\u00e9 comme une figure incontournable de l\u2019instrument dans le paysage musical national. [\u2026] Il brilla tant par sa ma\u00eetrise technique que par la profondeur de son expression, sans jamais verser dans l\u2019exc\u00e8s, m\u00e9nageant le dialogue lorsque la musique l\u2019exigeait et d\u00e9ployant tout son art dans la sonate en solo. [\u2026] Alfonso Sebasti\u00e1n [\u2026] Rares sont les interpr\u00e8tes en ce pays qui poss\u00e8dent une connaissance aussi approfondie de l\u2019\u0153uvre de Bach. Son \u00e9rudition, aussi bien au clavier [\u2026] que dans la th\u00e9orie, force l\u2019admiration, et apporte toujours une dimension suppl\u00e9mentaire \u00e0 l\u2019ensemble avec lequel il collabore. Ses interpr\u00e9tations sont toujours raffin\u00e9es, subtiles, empreintes d\u2019intelligence et dot\u00e9es d\u2019une rh\u00e9torique musicale d\u2019une grande intensit\u00e9. Et que dire de ses performances en solo ? Ce qui s\u2019est donn\u00e9 \u00e0 entendre hier [\u2026] \u00e9tait digne des plus grands clavecinistes de la sc\u00e8ne mondiale.<\/p>\n [\u2026] Lathika Vithanage [\u2026] Sa technique impressionnante et la richesse sonore qu\u2019elle tire de son violon \u00e0 chaque instant forcent l\u2019admiration. Sa vision de la Sonate en trio BWV 1038 est magistrale, tout comme celle de la BWV 1079, et sa sonate pour violon et clavecin oblig\u00e9 brille par son \u00e9clat. Elle poss\u00e8de une capacit\u00e9 rare \u00e0 \u00e9mouvoir, notamment dans le registre m\u00e9dium-grave [\u2026] Son apparente fragilit\u00e9 contraste avec une ma\u00eetrise absolue. Rarement ai-je vu un violoniste interpr\u00e9ter Bach avec une telle fluidit\u00e9, un naturel si d\u00e9sarmant, et une simplicit\u00e9 apparente. C\u2019est un vrai plaisir de la voir non seulement jouer, mais vivre chaque note, dans une sinc\u00e9rit\u00e9 \u00e9clatante qui se propage bien au-del\u00e0 de la sc\u00e8ne. Ester Domingo s\u2019est r\u00e9v\u00e9l\u00e9e \u00eatre une violoncelliste tr\u00e8s talentueuse, soutenant avec solidit\u00e9 le discours musical de chaque pi\u00e8ce. [\u2026] Elle a su maintenir la tension et s\u2019imposer durant une grande partie du r\u00e9cital, s\u2019\u00e9levant au niveau d\u2019excellence de ses compagnons.<\/p>\n En somme, une soir\u00e9e musicale de premier ordre [\u2026]. L\u2019osmose entre les interpr\u00e8tes t\u00e9moignait d\u2019un travail rigoureux et approfondi, [\u2026] donnant naissance \u00e0 un spectacle d\u2019une grande tenue, qui n\u2019a rien \u00e0 envier aux grands ensembles de la sc\u00e8ne musicale.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Mario Guada, Codalario<\/em><\/a>. 7 Mars 2017<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abVithanage a \u00e9bloui par sa ma\u00eetrise technique et par l\u2019\u00e9l\u00e9gance de son jeu, toujours aur\u00e9ol\u00e9e d\u2019un large sourire qui t\u00e9moignait du plaisir qu\u2019elle prenait [\u2026] avec la musique, avec l\u2019interpr\u00e9tation \u2014 la sienne comme celle de ses compagnons. L\u2019\u00e9mission du traverso de Mart\u00ednez \u00e9tait nette et chaleureuse, tr\u00e8s chaleureuse, tout particuli\u00e8rement dans cet Andante bouleversant de la Sonate BWV 1034. Domingo fit preuve d\u2019une ma\u00eetrise \u00e9clatante, tant dans son r\u00f4le de continuo que dans les interventions solistes que la sonate de L\u2019Offrande musicale r\u00e9serve aux quatre interpr\u00e8tes. S\u00e9bastien, quant \u00e0 lui, sut r\u00e9v\u00e9ler toute la quintessence du timbre raffin\u00e9 du clavecin Grimaldi [\u2026] devant lequel il se tenait, offrant une interpr\u00e9tation magistrale du Pr\u00e9lude, Fugue et Allegro.<\/p>\n Lorsqu\u2019on \u00e9coute Bach entre des mains aussi expertes, on \u00e9prouve le sentiment de se r\u00e9concilier avec le monde. Que ce ne soit pas qu\u2019une illusion.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.6″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Eduardo Torrico, Scherzo<\/em><\/a>. 6 Mars 2017<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb4754″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb child_filter_saturate=\u00a0\u00bb0%\u00a0\u00bb child_filter_brightness=\u00a0\u00bb114%\u00a0\u00bb child_filter_opacity=\u00a0\u00bb85%\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLeur interpr\u00e9tation a fr\u00f4l\u00e9 la perfection, une qualit\u00e9 que le jury n\u2019a pas manqu\u00e9 de souligner, saluant \u00e9galement l\u2019osmose musicale et la justesse dont ils ont fait preuve \u00e0 chaque instant. [\u2026] l\u2019Adagio initial s\u2019est d\u00e9ploy\u00e9 avec retenue et d\u00e9licatesse, port\u00e9 par une fluidit\u00e9 naturelle et une synchronisation exemplaire dans l\u2019unisson fragment\u00e9 de la cadence. Ils ont su exprimer le contraste de caract\u00e8re entre l\u2019Allegretto, vif et l\u00e9ger, et l\u2019Allegro assai \u00e9nergique, dans lequel certains passages se distingu\u00e8rent par leur virtuosit\u00e9. […] une fois encore, ils ont d\u00e9ploy\u00e9 toute leur virtuosit\u00e9 dans les longues phrases m\u00e9lodiques du premier mouvement, fait preuve d\u2019une ma\u00eetrise absolue du tempo dans l\u2019Andante, et se sont livr\u00e9s corps et \u00e2me dans l\u2019Allegretto final, alliant la virtuosit\u00e9 des passages vertigineux \u00e0 des ritardos occasionnels. Tout simplement \u00e9blouissant.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Eduardo Vi\u00f1uela, La Nueva Espa\u00f1a<\/em>. 16 Juillet 2016<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abLa Guirlande a fait le choix d\u2019une interpr\u00e9tation historiciste rigoureuse, et ce pari s\u2019est r\u00e9v\u00e9l\u00e9 des plus judicieux. Ce duo traverso et clavecin a mis\u00e9 sur la Sonate pour fl\u00fbte et clavecin oblig\u00e9 en r\u00e9 majeur de C.P.E. Bach, captivant le jury par un perpetuum mobile d\u2019une grande pr\u00e9cision dans les allegros et par la dissolution de la mesure dans l\u2019adagio. L\u2019interpr\u00e9tation \u00e9tait juste, bien synchronis\u00e9e et dot\u00e9e de la fluidit\u00e9 qu\u2019exige l\u2019\u0153uvre.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Eduardo Vi\u00f1uela, La Nueva Espa\u00f1a<\/em>. 15 Juillet 2016<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_gallery gallery_ids=\u00a0\u00bb4756″ fullwidth=\u00a0\u00bbon\u00a0\u00bb _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb35%\u00a0\u00bb custom_margin=\u00a0\u00bb||3%\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][\/et_pb_gallery][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abD\u2019un grand lyrisme, ce mouvement sicilien que le fl\u00fbtiste [Luis Mart\u00ednez Pueyo] recr\u00e9a avec une d\u00e9lectation exquise, savourant chaque note, dans la plus pure tradition des c\u00e9l\u00e8bres fl\u00fbtistes tels que Jaime Mart\u00edn ou le grand Jean-Pierre Rampal. Ses passages, orn\u00e9s de motifs d\u2019une grande vivacit\u00e9, furent sublim\u00e9s par le musicien saragossien, qui r\u00e9v\u00e9la avec brio toute l\u2019aptitude de la fl\u00fbte traversi\u00e8re baroque \u00e0 magnifier l\u2019art du virtuose.<\/p>\n Sebasti\u00e1n a envo\u00fbt\u00e9 son auditoire par une sonorit\u00e9 intense et un jeu parfaitement ma\u00eetris\u00e9, tir\u00e9s de son somptueux instrument. Ce claveciniste saragossien, [\u2026] illustre une fois de plus le niveau artistique prodigieux atteint par la musique baroque en Aragon.\u00bb<\/p>\n<\/div>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Luis Alfonso Bes, Heraldo de Arag\u00f3n<\/em>. 12 Mai 2016<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00a0\u00bb1_4,1_2,1_4″ _builder_version=\u00a0\u00bb4.16″ width=\u00a0\u00bb100%\u00a0\u00bb custom_margin=\u00a0\u00bb3%||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_2″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#8d8d8d\u00a0\u00bb text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||1.5%|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abVirtuos und zugleich feinf\u00fchlig interpretierte Luis Mart\u00ednez Pueyo auf der Traversfl\u00f6te die Solost\u00fccke in den Fl\u00f6tensuiten von Jacques-Martin Hotteterre.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|on||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb16px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||2px|||\u00a0\u00bb custom_padding=\u00a0\u00bb||8px|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n \u00abAlliant virtuosit\u00e9 et finesse, Luis Mart\u00ednez Pueyo a magnifiquement interpr\u00e9t\u00e9 au traverso les pi\u00e8ces solistes des suites pour fl\u00fbte de Jacques-Martin Hotteterre.\u00bb<\/p>\n [\/et_pb_text][et_pb_text _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bbRaleway|300|||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#000000″ text_font_size=\u00a0\u00bb13px\u00a0\u00bb text_letter_spacing=\u00a0\u00bb1px\u00a0\u00bb text_line_height=\u00a0\u00bb23px\u00a0\u00bb text_orientation=\u00a0\u00bbright\u00a0\u00bb width=\u00a0\u00bb100%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb6%|||||\u00a0\u00bb custom_padding=\u00a0\u00bb||0px|||\u00a0\u00bb text_text_align=\u00a0\u00bbright\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n Hans J\u00fcrgen Kugler, Badische Zeitung<\/em>. 25 F\u00e9vrier 2015<\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" CRITIQUES \u00abLa Guirlande, […] a offert un r\u00e9cital alliant\u00a0grande pr\u00e9cision et grande beaut\u00e9, qui \u00e9tait bien plus qu’un simple voyage \u00e0 travers le baroque. La ‘Sonate pour fl\u00fbte et clavecin oblig\u00e9 en si mineur BWV 1030’ a \u00e9t\u00e9 abord\u00e9e par Mart\u00ednez et Sebasti\u00e1n avec une grande pr\u00e9cision et un lyrisme retenu. Ce qui est r\u00e9sult\u00e9 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":" [et_pb_section fb_built=\"1\" _builder_version=\"4.16\" background_color=\"rgba(0,0,0,0)\" width_tablet=\"\" width_phone=\"90%\" width_last_edited=\"on|desktop\" custom_margin=\"||8%\" module_alignment_tablet=\"\" module_alignment_phone=\"center\" module_alignment_last_edited=\"on|desktop\" global_colors_info=\"{}\"][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_padding=\"5%||0px|||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|||||||\" text_text_color=\"#232323\" text_font_size=\"13px\" text_letter_spacing=\"2px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_margin_tablet=\"\" custom_margin_phone=\"||0px\" custom_margin_last_edited=\"on|desktop\" custom_padding=\"||8px|||\" custom_padding_tablet=\"\" custom_padding_phone=\"||0px|\" custom_padding_last_edited=\"on|desktop\" global_colors_info=\"{}\"]<\/p> NOTAS DE PRENSA<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"4.16\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\" width=\"100%\" custom_padding=\"0%|||||\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_divider color=\"rgba(33,33,33,0.09)\" _builder_version=\"4.16\" custom_padding=\"||43px|||\" custom_padding_tablet=\"\" custom_padding_phone=\"||0px\" custom_padding_last_edited=\"on|desktop\" global_colors_info=\"{}\"][\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_gallery gallery_ids=\"9195\" fullwidth=\"on\" _builder_version=\"4.27.4\" width=\"35%\" custom_margin=\"||3%\" custom_padding=\"||0px|||\" child_filter_saturate=\"0%\" child_filter_brightness=\"114%\" child_filter_opacity=\"85%\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text _builder_version=\"4.27.4\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" hover_enabled=\"0\" global_colors_info=\"{}\" sticky_enabled=\"0\"]<\/p> \u00abLas cinco [lamentaciones] incluidas en esta grabaci\u00f3n son buena muestra de la inspiraci\u00f3n y de la maestr\u00eda de la escritura vocal de Corselli, que recibe una espl\u00e9ndida interpretaci\u00f3n. Las dos cantantes aprovechan las elaboradas vocalizaciones sobre las palabras hebreas para desplegar un canto sinuoso y muy cuidado en la acentuaci\u00f3n, lo que se contin\u00faa con el fraseo detallado y atento a la expresi\u00f3n de los efectos ret\u00f3ricos. Una soprano de timbre oscuro y una mezzo de color claro empastan a la perfecci\u00f3n y se entrelazan de forma magistral en los pasajes fugados de fin de cada lamentaci\u00f3n. Tanto a la flauta solista como al frente del grupo, Mart\u00ednez Pueyo est\u00e1 soberbio.<\/span>\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.27.4\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Andr\u00e9s Moreno Meng\u00edbar en Scherzo<\/a><\/em>. Noviembre 2024<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_gallery gallery_ids=\"8837\" fullwidth=\"on\" _builder_version=\"4.27.0\" width=\"35%\" custom_margin=\"||3%\" custom_padding=\"||0px|||\" child_filter_saturate=\"0%\" child_filter_brightness=\"114%\" child_filter_opacity=\"85%\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text _builder_version=\"4.27.0\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abLuis Mart\u00ednez, traverso, Sergio Su\u00e1rez, viol\u00edn, y Guillermo Turina, violonchelo, iniciaron la sesi\u00f3n [...],\u00a0<\/span>mostrando de inicio una conjunci\u00f3n estricta y una sonoridad espl\u00e9ndida.<\/p> [...] la sonoridad del tr\u00edo se mantuvo en el mismo nivel de excelencia [...]<\/p> Cabe resaltar la precisi\u00f3n de los tr\u00e9molos por parte de Luis Mart\u00ednez [...].\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.27.0\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Francisco Javier Aguirre en Heraldo de Arag\u00f3n<\/em><\/a>. 6 Junio 2024<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"4.25.0\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abTodas estas cualidades pudimos apreciarlas plenamente durante el concierto gracias a una interpretaci\u00f3n sobresaliente. La parte vocal corri\u00f3 a cargo de la soprano mallorquina Irene Mas Salom y la mezzo francesa Marine Fribourg. Ambas mostraron una seguridad apabullante, traducida en una envidiable afinaci\u00f3n y un notable dominio t\u00e9cnico, pero sobre todo en un perfecto equilibrio entre la expresividad y la contenci\u00f3n que demanda el car\u00e1cter de esta m\u00fasica. Las suspensiones, ritmos quebrados e inflexiones encontraron siempre su justa medida, con un vibrato perfectamente controlado y una emisi\u00f3n clara y limpia. Mas Salom es una soprano elegante, con una voz de bello timbre y demostr\u00f3 buenas agilidades en los pasajes m\u00e1s melism\u00e1ticos. Marine Fribourg, por su parte, es una m\u00fasico muy polivalente [...], con un atractivo timbre carnoso, registro homog\u00e9neo y graves bien proyectados. Cuando cantaron juntas [...] se entendieron perfectamente y pudimos disfrutar de dos cantantes con personalidad.<\/p> El soporte instrumental estuvo igualmente a gran altura. Estupendos los violines c\u00f3mplices de Jes\u00fas Merino y Andr\u00e9s Murillo, que llevaban gran parte del peso de las obras; como siempre formidables Fumiko Morie a la viola y Joan Boronat al clave, dos grandes m\u00fasicos que contagian su entusiasmo en cada una de sus interpretaciones y nos llegan a convencer cuando les vemos tocar que estamos escuchando la mejor m\u00fasica jam\u00e1s compuesta. Y en general un gran trabajo el de La Guirlande y su director Luis Mart\u00ednez Pueyo, que han estudiado y conseguido hacer brillar esta bella m\u00fasica sac\u00e1ndole todo el partido posible, con un sonido equilibrado, bien empastado, muy bien compenetrado con las voces.\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.25.0\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Imanol Temprano Lecuona en Scherzo<\/em><\/a>. 9 Abril 2024<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"4.21.0\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||5%|||\" custom_padding=\"|||||\" global_colors_info=\"{}\"]<\/p> \u00abEn colaboraci\u00f3n con Ars Hispana, la agrupaci\u00f3n aragonesa volvi\u00f3 a mostrar su claro compromiso con el patrimonio musical espa\u00f1ol, en una propuesta con la mezzosoprano Luc\u00eda Caihuela que cautiv\u00f3 tanto por la calidad del repertorio escogido como por unas muy v\u00edvidas y s\u00f3lidas interpretaciones de los implicados.\u00bb<\/span><\/p> [\/et_pb_text][et_pb_text _builder_version=\"4.21.0\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#878787\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> [\/et_pb_text][et_pb_text _builder_version=\"4.21.0\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Mario Guada en Codalario<\/em><\/a>. 10 Marzo 2023<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"4.20.0\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abLa Guirlande son\u00f3 todo lo bien que ya nos tiene acostumbrados. Esta vez cont\u00f3 de nuevo con la violinista australiana [Lathika Vithanage] [...] Da gusto escucharla y, sobre todo, verla tocar, porque siempre est\u00e1 con una sonrisa en los labios. Brillante el propio Mart\u00ednez Pueyo con el traverso y a tono con ambos los restantes miembros del grupo.<\/p> Caihuela luci\u00f3 esa peculiar voz suya, tan oscura y poderosa, e hizo alarde de medios, seguridad e, incluso, facilidad para alcanzar las notas m\u00e1s agudas.\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.20.0\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Eduardo Torrico en Scherzo<\/em><\/a>. 3 Marzo 2023<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_gallery gallery_ids=\"8350\" fullwidth=\"on\" _builder_version=\"4.20.4\" width=\"35%\" custom_margin=\"||3%\" custom_padding=\"||0px|||\" child_filter_saturate=\"0%\" child_filter_brightness=\"114%\" child_filter_opacity=\"85%\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text _builder_version=\"4.20.4\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abLuis Martinez<\/span> ha seleccionado una serie de obras en las que su instrumento brilla como solista o se funde con la voz de Alicia Amo<\/span>, como ese hermoso Cristal bello de Ignacio Jerusalem y Stella, admirablemente secundado por una cuerda elegante y el muy oportuno continuo de Joan Boronat al clave.<\/p> Alicia Amo<\/span>, soprano de admirable presencia, defiende con convicci\u00f3n la cantata sacra Inmenso amor de Jaime Casellas.<\/p> [\/et_pb_text][et_pb_text _builder_version=\"4.20.4\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Philippe Ramin en Classica<\/a><\/em>. Abril 2022<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_gallery gallery_ids=\"8048,8045\" fullwidth=\"on\" _builder_version=\"4.17.4\" width=\"35%\" custom_margin=\"||3%\" custom_padding=\"||0px|||\" child_filter_saturate=\"0%\" child_filter_brightness=\"114%\" child_filter_opacity=\"85%\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text _builder_version=\"4.17.4\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abSolo caben elogios sin reservas sobre la soprano Alicia Amo y el flautista Luis Mart\u00ednez. La Guirlande es un referente indiscutible en la interpretaci\u00f3n hist\u00f3rica. Sus componentes son excelentes cameristas, y sus versiones son siempre atractivas.<\/p> Es un CD que todo amante de la m\u00fasica barroca y de los tesoros musicol\u00f3gicos debe tener y disfrutar.\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.17.4\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Antonio Arias en Todo Flauta<\/em>. Marzo 2022<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_gallery gallery_ids=\"7627\" fullwidth=\"on\" _builder_version=\"4.20.4\" width=\"35%\" custom_margin=\"||3%\" custom_padding=\"||0px|||\" child_filter_saturate=\"0%\" child_filter_brightness=\"114%\" child_filter_opacity=\"85%\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abEncontramos momentos de intensa emoci\u00f3n vocal combinados con pasajes instrumentales enormemente sofisticados del M\u00e9xico y la Espa\u00f1a del s. XVIIII.<\/p> Luis Mart\u00ednez maneja su instrumento [...] con toque excepcionalmente flexible y c\u00e1lido y se convierte en el perfecto compa\u00f1ero para la soprano Alicia Amo. [...] Alicia Amo posee una voz ideal para este tipo de repertorio que domina de manera virtuosa y con un inteligente planteamiento de la sustancia mel\u00f3dica ornamental sin apenas esfuerzo y con vivos adornos.<\/p> El conjunto de seis instrumentistas, con los dos solitas a la cabeza, est\u00e1 compuesto por dos violines, un cello, un la\u00fad, un contrabajo y un clave que suenan de manera homog\u00e9nea y confieren sentido a la propuesta.<\/p> \u00a1Esta grabaci\u00f3n es un descubrimiento emocionante para todos los amantes de la m\u00fasica barroca espa\u00f1ola!\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Wolfgang Reihing en Toccata<\/a><\/em>. Enero 2022<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_gallery gallery_ids=\"7621\" fullwidth=\"on\" _builder_version=\"4.16\" width=\"35%\" custom_margin=\"||3%\" custom_padding=\"||0px|||\" child_filter_saturate=\"0%\" child_filter_brightness=\"114%\" child_filter_opacity=\"85%\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abEn la primera obra, Cristal Bello, apreciamos una coloratura muy bien desarrollada en los melismas, una agradable vocalizaci\u00f3n, y ornamentaci\u00f3n repleta de fantas\u00eda. Una gran teatralidad puede apreciarse a lo largo de la tercera obra, Inmenso amor, [...] donde Alicia alardea entre el recitativo y el arioso, muy c\u00f3moda en ambos modos. El afelpado continuo, muy atento a las din\u00e1micas, tempo y pausas, destaca en el Allegro. La perla vocal la hallamos en la vivaldiana aria de Illana, Erizada la noche, donde se registran legatos de gran calidez ante una feroz tormenta. En S\u00edgueme Pastor, un bello dueto entre soprano y flauta sella una ejecuci\u00f3n dulce, compenetrada y sin fisuras. Boronat al teclado reluce [...] en la Sonata de 8\u00ba tono de Nebra, impoluto en la articulaci\u00f3n y en adornos. Destaca el continuo en los movimientos r\u00e1pidos de la Sonata en Sol menor para flauta [...], para deleite de Mart\u00ednez, y en los tempos lentos de Versos de segundo tono, donde se aprecia una respiraci\u00f3n conjunta muy adecuada a la ret\u00f3rica musical. En resumen, calidad y poco a cuestionar en un disco que roza la excelencia y que, adem\u00e1s, supone un soplo de aire fresco para el patrimonio musical espa\u00f1ol.\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Carlos Garc\u00eda Reche en Mel\u00f3mano<\/a><\/em>. Noviembre 2021<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_gallery gallery_ids=\"7615\" fullwidth=\"on\" _builder_version=\"4.16\" width=\"35%\" custom_margin=\"||3%\" custom_padding=\"||0px|||\" child_filter_saturate=\"0%\" child_filter_brightness=\"114%\" child_filter_opacity=\"85%\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abNo exageramos ni un \u00e1pice al decir que todo en este disco merece ser destacado. El repertorio [...], en primer lugar. Y tambi\u00e9n, los m\u00fasicos.<\/p> La soprano [...] Alicia Amo, que interpreta con emoci\u00f3n y entrega esta m\u00fasica olvidada; el clavecinista Joan Boronat, que desgrana una hermosa sonata con aires escarlatianos de Jos\u00e9 de Nebra; y Luis Mart\u00ednez Pueyo, magn\u00edfico como flautista [...], extrayendo de su grupo, La Guirlande, un sonido redondo y sin fisuras, y resucitando con garra y fuerza una m\u00fasica en la que [...] cree. Gran disco.\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Mariano Acero Ruil\u00f3pez en Scherzo<\/a><\/em>. Noviembre 2021<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_gallery gallery_ids=\"7593\" fullwidth=\"on\" _builder_version=\"4.16\" width=\"35%\" custom_margin=\"||3%\" custom_padding=\"||0px|||\" child_filter_saturate=\"0%\" child_filter_brightness=\"114%\" child_filter_opacity=\"85%\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abLa Guirlande, [...] creada y dirigida por el flautista Luis Mart\u00ednez Pueyo, se ha juntado con la soprano Alicia Amo en un feliz encuentro en el que realizan formidables interpretaciones de unas m\u00fasicas de una calidad muy alta, que merecen ser descubiertas por todo buen mel\u00f3mano.<\/p> Tanto la soprano, con su c\u00e1lida voz, que ha alcanzado una madurez espectacular que le permite abordar todo tipo de repertorio con una s\u00f3lida t\u00e9cnica, buen gusto y excelente expresividad, como todos y cada uno de los miembros del grupo instrumental, violines de bello y pleno sonido, un bajo continuo plagado de formidables m\u00fasicos que confieren uno y mil afectos a\u00a0estas piezas galantes directamente influenciadas por el Barroco, hasta el soberbio flautista virtuoso que es su entusiasta director, firman un delicioso CD que debe estar en cualquier discoteca que se precie.\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Sim\u00f3n Andueza en Ritmo<\/a><\/em>. Noviembre 2021<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_gallery gallery_ids=\"6935\" fullwidth=\"on\" _builder_version=\"4.16\" width=\"35%\" custom_margin=\"||3%\" custom_padding=\"||0px|||\" child_filter_saturate=\"0%\" child_filter_brightness=\"114%\" child_filter_opacity=\"85%\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abLa compenetraci\u00f3n entre los tres int\u00e9rpretes fue totalmente evidente, manteniendo un interesante di\u00e1logo durante el desarrollo de todo el concierto.<\/p> Ester Domingo realiz\u00f3 una brillante interpretaci\u00f3n [...], destacando\u00a0<\/span>por la t\u00e9cnica y expresividad que transmiti\u00f3 durante esta compleja obra. El clavecinista no fue un mero acompa\u00f1ante y realiz\u00f3 un gran desarrollo del bajo, complement\u00e1ndose con el violonchelo a la perfecci\u00f3n.\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Teresa Pueyo en Diario del Alto<\/em>\u00a0Arag\u00f3n<\/em>. 27 Agosto 2021<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_gallery gallery_ids=\"6664\" fullwidth=\"on\" _builder_version=\"4.16\" width=\"35%\" custom_margin=\"||3%\" custom_padding=\"||0px|||\" child_filter_saturate=\"0%\" child_filter_brightness=\"114%\" child_filter_opacity=\"85%\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abCoherente el enfoque y magn\u00edfica la ejecuci\u00f3n de La Guirlande, [...] eficazmente conjuntados por el flautista Luis Mart\u00ednez.<\/p> Vadym Makarenko luci\u00f3 una musicalidad exquisita en su desempe\u00f1o, elegante y consistente al mismo tiempo.<\/p> [...] Ester Domingo [...], acompa\u00f1ada por [...] Joan Boronat y [...] Pablo FitzGerald. Una obra seria que la chelista descifr\u00f3 con gran pericia.<\/p> El turno solista para la flauta [...], una sonata exigente en virtuosismo y sentido musical, bien resueltos por Luis Mart\u00ednez y el conjunto.\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Francisco Javier Aguirre en Heraldo de Arag\u00f3n<\/em>. 16 Mayo 2021<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_gallery gallery_ids=\"6114\" fullwidth=\"on\" _builder_version=\"4.16\" width=\"35%\" custom_margin=\"||3%\" custom_padding=\"||0px|||\" child_filter_saturate=\"0%\" child_filter_brightness=\"114%\" child_filter_opacity=\"85%\" global_colors_info=\"{}\"][\/et_pb_gallery][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abSobresaliente concierto el ofrecido por el conjunto La Guirlande.<\/p> La soprano Alicia Amo, de dicci\u00f3n clara, articulaci\u00f3n precisa, vibrato brillante y notable expresividad, corri\u00f3 a cargo de las composiciones vocales.<\/p> [...] \u201cSonata de 8\u00ba tono\u201d para clave, de Jos\u00e9 de Nebra, interpretada con armoniosa seguridad por Joan Boronat.<\/p> Luis Martinez [...] luci\u00f3 todas sus habilidades en los cuatro movimientos de la pieza. Sonoridad larga y refinada la del traverso, muy ajustados los tiempos y bien conjuntado el tr\u00edo en la ejecuci\u00f3n de variaciones e inflexiones.\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p> Francisco Javier Aguirre en Heraldo de Arag\u00f3n<\/em>. 19 Marzo 2021<\/p> [\/et_pb_text][\/et_pb_column][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\"1_4,1_2,1_4\" _builder_version=\"4.16\" width=\"100%\" custom_margin=\"3%||\" global_colors_info=\"{}\"][et_pb_column type=\"1_4\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][\/et_pb_column][et_pb_column type=\"1_2\" _builder_version=\"4.16\" custom_padding=\"|||\" global_colors_info=\"{}\" custom_padding__hover=\"|||\"][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|on||||||\" text_text_color=\"#000000\" text_font_size=\"16px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" width=\"100%\" module_alignment=\"center\" custom_margin=\"||2px|||\" custom_padding=\"||8px|||\" global_colors_info=\"{}\"]<\/p> \u00abAlicia Amo, [...],\u00a0<\/span>puso sus extraordinarios medios y su f\u00e1cil musicalidad.<\/span><\/p> La\u00a0voz fresca, siempre bien colocada, homog\u00e9nea, f\u00e1cil arriba, dram\u00e1tica en los recitados, intencionada en la expresi\u00f3n<\/span>, de la cantante burgalesa fue s\u00f3lo uno de los elementos que se integraron en unas interpretaciones de extraordinario equilibrio y de muy alto nivel t\u00e9cnico y musical. Con ella se imbricaron el traverso\u00a0obligado<\/span>\u00a0de\u00a0Luis Mart\u00ednez<\/span>, los dos violines y un amplio equipo de continuo, que no s\u00f3lo soport\u00f3 a las partes solistas con elegancia, flexibilidad y profundidad, sino que tuvo jugosas intervenciones, como el archila\u00fad de\u00a0Pablo<\/span>\u00a0FitzGerald<\/span><\/span>\u00a0en los\u00a0Versos de segundo tono<\/span>\u00a0de Jerusalem, su guitarra en el\u00a0Benigne fac<\/span>\u00a0de cierre o el violonchelo de\u00a0Ester Domingo<\/span>\u00a0en los movimientos r\u00e1pidos de la\u00a0Sonata<\/span>\u00a0de\u00a0Locatelli<\/span>,\u00a0<\/span>que Mart\u00ednez toc\u00f3 con absoluta limpieza y seguridad. A destacar tambi\u00e9n el primer viol\u00edn, relajado, l\u00edrico y carnoso, de\u00a0Vadym Makarenko<\/span>.<\/p> El equilibrio entre estos cuatro planos sonoros permiti\u00f3 que las\u00a0texturas instrumentales resultaran siempre transparentes<\/span>. El conjunto brill\u00f3 tanto en las partes m\u00e1s delicadas y tiernas como en los bramidos del aria de\u00a0Hern\u00e1ndez Illana<\/span>\u00a0que daba t\u00edtulo al concierto, en la que los\u00a0ataques fueron m\u00e1s afilados y los contrates m\u00e1s intensos, con din\u00e1micas de generosa amplitud<\/span>. El aria de\u00a0Iribarren<\/span>\u00a0de la propina sirvi\u00f3 para confirmar la excelencia de la cita.\u00bb<\/p><\/div> [\/et_pb_text][et_pb_text _builder_version=\"4.16\" text_font=\"Raleway|300|||||||\" text_text_color=\"#000000\" text_font_size=\"13px\" text_letter_spacing=\"1px\" text_line_height=\"23px\" text_orientation=\"right\" width=\"100%\" module_alignment=\"center\" custom_margin=\"6%|||||\" custom_padding=\"||0px|||\" text_text_align=\"right\" global_colors_info=\"{}\"]<\/p>
C’est un CD que tout amoureux de la musique baroque et des tr\u00e9sors musicologiques doit poss\u00e9der et savourer.\u00bb<\/p>\n<\/div>\n
[\u2026] Alicia Amo poss\u00e8de une voix id\u00e9ale pour ce r\u00e9pertoire, qu\u2019elle ma\u00eetrise avec une virtuosit\u00e9 remarquable, nous offrant une m\u00e9lodie intelligemment ornement\u00e9e, chant\u00e9e sans effort apparent et avec de vives fioritures.
L’ensemble, form\u00e9 de six instrumentistes, avec les deux solistes en t\u00eate, se compose de deux violons, un violoncelle, un luth, une contrebasse et un clavecin, qui, ensemble, cr\u00e9ent une harmonie parfaite, conf\u00e9rant un sens profond \u00e0 l\u2019interpr\u00e9tation.
Cette enregistrement se r\u00e9v\u00e8le \u00eatre une d\u00e9couverte \u00e9mouvante pour tous les amoureux de la musique baroque espagnole!\u00bb<\/p>\n<\/div>\n
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